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Art History

Editor in Chief | Editorial Board | Articles and Contributors

Art history is a vast discipline, geographically, historically, and intellectually. In its initial centuries, art history dealt with Western art, but the boundaries of the field have since expanded. The canon continues to be redefined as histories of art in regions that had previously been ignored are brought into the mainstream. Traditional emphases on European art have been reduced, as the discipline reaches world-wide dimensions in which connections as much as differences have increasingly come into focus. Originating as a study much informed by ancient art, and then by the art of the Renaissance, the historical dimension of the discipline has also continuously advanced with time. More and more works and types of objects are made throughout the world, and art historians’ interests have increasingly shifted to more recent art. In the past half century art historians have also engaged more and more with questions of theory, method, and the history of the discipline. New approaches, often borrowed from other fields, have proliferated.

As a result of all this flux and ferment, it has become progressively more difficult to grasp the literature of the field, and to gain an orientation to current and perennial problems. Oxford Bibliographies in Art History responds to these needs and offers a trustworthy pathway through the thicket of information overload. Whether an expert in contemporary European art needs to read up on the art of ancient China for a book project or an undergraduate student needs to start a research paper on iconography in Renaissance art, Oxford Bibliographies in Art History will provide a trusted source of selective bibliographic guidance.

 

Editor in Chief

Thomas DaCosta Kaufmann is Frederick Marquand Professor of Art and archaeology at Princeton University. A member of the Polish, Flemish, and Swedish academies of science, and a fellow of the American Academy in Rome, among his many honors he has received the Palacky Medal for merit in Social Sciences from the Czech Academy. His books include Arcimboldo: Visual Jokes, Natural History, and Still-Life Painting; Painterly Enlightenment: the Art of Franz Anton Maulbertsch, 1724-1796; Toward a Geography of Art; Court, Cloister, and City: the Art and Culture of Central Europe, 1450-1800; The Mastery of Nature: Aspects of Art, Science, and Humanism in the Renaissance; and The School of Prague: Painting at the Court of Rudolf II, which won the Mitchell Prize in art history. In December 2010, Professor Kaufmann was awarded the degree of Doctor philosophiae honoris causa by the Technische Universität, Dresden, “for the quality of his scholarship, especially on Central Europe, its application as a basis in the effort to establish a more global history of art, and his services for international collaboration and mutual understanding among nations.” In 2013, he received an honorary degree (Doctor h.c.) from Masaryk University, Brno.

 


STANDING EDITORIAL BOARD

University of Minnesota
Graduate Center, CUNY
The University of Chicago
University of Pittsburgh
The College of William and Mary
University of California, Santa Barbara

FOUNDING EDITORIAL BOARD

University of Minnesota
Colum Hourihane
Princeton University
University of Vienna
The University of Chicago
University of Reading
University of Pittsburgh
The College of William and Mary
University of California, Santa Barbara

ARTICLES AND CONTRIBUTORS

Jane C. Hutchison
University of Wisconsin-Madison
Bruce Boucher
University of Virginia
John J. Curley
Wake Forest University
Clare Robertson
University of Reading
Clara Bargellini
Universidad Nacional Autónoma de México
Laurie Schneider Adams
John Jay College, CUNY
Noah Horowitz
Sotheby's Institute of Art
Cecelia F. Klein
University of California, Los Angeles
Robert Williams
University of California, Santa Barbara
Bernard Barryte
Stanford University
Michael Seymour
Metropolitan Museum of Art
Elena Shtromberg
University of Utah
Ellen C. Schwartz
Eastern Michigan University
Constance Cortez
Texas Tech University
Joanne Pillsbury
Metropolitan Museum of Art
Terry Smith
University of Pittsburgh
Katherine Marsengill
Reinhold Heller
University of Chicago
John Dixon Hunt
University of Pennsylvania
Evonne Levy
University of Toronto
Mark Sandona
Hood College
Anne Derbes
Hood College
Richard Neer
University of Chicago
Thomas DaCosta Kaufmann
Princeton University
Samuel Y. Edgerton
Williams College
Frederick Asher
University of Minnesota
Kelley Wilder
De Montfort University
Colum Hourihane
Princeton University
Julie Reiss
Christie's Education
Pepe Karmel
New York University
Dorothy Johnson
University of Iowa
Linda Seidel
University of Chicago
Ken Tadashi Oshima
University of Washington
Maya Balakirsky Katz
Touro College
Frank Zöllner
Universität Leipzig
Andrew Hemingway
University College London
Clare Robertson
University of Reading
Atreyee Gupta
Haus der Kunst
Daniel J. Sherman
University of North Carolina, Chapel Hill
David W. Penney
Smithsonian Institution
Kristine Stiles
Duke University
Christopher Pinney
University College London
Claudia Brown
Arizona State University
Brian A. Curran
Pennsylvania State University
Kirk Ambrose
University of Colorado Boulder
Catherine Asher
University of Minnesota
Barbara A. Barletta
University of Florida
David J. Roxburgh
Harvard University
Anna Seastrand
University of Chicago
Griselda Pollock
University of Leeds
Jennifer Purtle
University of Toronto

FORTHCOMING ARTICLES

African American Art
Kirsten Buick
Agnolo Bronzino
Elizabeth Pilliod
Akan/Asante Art
Catherine Hale
American Art of the 19th Century
Alan Wallach
College of William and Mary
Art and Architecture of Iran
Ladan Akbarnia
The British Museum
Art and Architecture of Portugal
Annemarie Jordan-Gschwend
Art and Architecture of the Viceroyalty of Peru
Thomas Cummins
Art of Ancient China
Lillian Tseng
Art Theory from 1800
Robert Williams
University of California, Santa Barbara
Assyrian Art and Architecture
Paul Collins
University of Oxford
Australian Aboriginal Art
Howard Morphy
John Carty
Bauhaus
Annemarie Jaeggi
Bauhaus-Archiv / Museum für Gestaltung
Benvenuto Cellini
Dimitrios Zikos
Bonampak
Mary Ellen Miller
Carolingian Art
Eric Ramirez-Weaver
University of Virginia
Chan Chan
Joanne Pillsbury
Getty Research Institute
Colombia
Patricia Zalamea Fajardo
Czech Republic
Vojtěch Lahoda
Destruction in Art
Kristine Stiles
Duke University
Diego Rivera
Linda Downs
Donatello
Ulrich Pfisterer
Extensions of South Asian Art (in China, in Southeast Asia, in the Diaspora)
Risha Lee
Francisco José Goya y Lucientes
Janis Tomlinson
Giorgio Vasari
Liana Cheney
Gothic
Bernd Nicolai
Habsburgs and the Arts
Annemarie Jordan-Gschwend
Harappan Art and Architecture
J. Mark Kenoyer
University of Wisconson-Madison
History of Curating
Hans-Ulrich Obrist
Inca Architecture
Jean-Pierre Protzen
Insular Art
Colum Hourihane
Jacopo da Pontormo
Elizabeth Pilliod
Jewish Art, Medieval to Early Modern
Marc Epstein
Vassar College
Mannerism
Elizabeth Pilliod
Modern and Contemporary Chinese Art
Gao Minglu
Modern and Contemporary Japanese Art
Ming Tiampo
Reiko Tomii
Olmec art
Rex Koontz
University of Houston
Paul Cézanne
Jayne Warman
Qing Dynasty Architecture
Cary Y. Liu
Princeton University Art Museum
Qing Dynasty Ceramics and Other Applied Arts
Claudia Brown
Arizona State University
Raphael
Robert Williams
University of California, Santa Barbara
Rembrandt van Rijn
Catherine Scallen
Roman Art
Michael Squire
Romanticism
Nina Athanassoglou-Kallmyer
Sandro Botticelli
Damian Dombrowski
University of Würzburg
The Enlightenment
Michael Yonan
The Taj Mahal
Ebba Koch
Vienna University
Viking Art
James Graham-Campbell
University College London
Jane Kershaw
University College London
West African Art
Catherine Hale

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