The Church of the Holy Sepulchre
Introduction
For the Christian faithful, the Church of the Holy Sepulchre is and has been since the 4th century the locus of sites associated with Christ’s death and resurrection. While the religious significance of the church has remained constant, the form has not. Founded by the Roman emperor Constantine I, “the Great,” and consecrated in 335, the original was not one church but a complex of structures. It fronted the main street, or cardo, of Jerusalem and was entered through a monumental eastern gateway which led to a courtyard. Next to that was a basilica, modeled on those current in Rome. It was grand in scale, with five aisles and a central western apse. Beyond the basilica was a second courtyard; the rock of Golgotha, or Calvary, was located in the southeastern corner. Attached to the western side of the courtyard was a semicircular structure, the Anastasis, or Resurrection, Rotunda. In the center of the rotunda was the tomb of Christ, contained within an aedicule. Ancillary chapels on three sides of the rotunda and the residence of the patriarch of Jerusalem completed the complex. The Constantinian complex was largely maintained until its destruction in 1009. It was rebuilt and rededicated c. 1048 by the Byzantine emperor Constantine IX Monomachos. While the Byzantine Church of the Holy Sepulchre was reduced in scale, its symbolic significance was increased. The gateway and basilica were not rebuilt; instead, architectural emphasis was placed on the Anastasis Rotunda, which was still entered through a courtyard but to which was added an eastern apse, providing the “correct” orientation lacking in the original. Additional chapels, fronting the courtyard and flanking the rotunda, testify to the multiplication of sites associated with events of the Passion and the proliferation of relics of the Passion. In addition to the rebuilt patriarchate to the north, a baptistery complex was added to the southern side of the rotunda. In 1099 the Church of the Holy Sepulchre was again rebuilt, this time under Crusader rule to conform more closely to the architectural styles current on the European continent and to accommodate Latin liturgy. It was rededicated in 1161. The reconfigured church deemphasized the courtyard, adding a choir to the east of the rotunda. The semicircular shape of the rotunda was now matched by a semicircular ambulatory with radiating chapels on its eastern side. New sites, particularly those identified with Saints Mary and Helena, were enclosed in chapels. The Crusader Church of the Holy Sepulchre united the sites of Golgotha and the Anastasis in one building for the first time. This Crusader church is essentially the same structure that exists today, at least in plan. The division of the interior to accommodate the multiple resident Christian communities reflects modern rather than medieval practice. A new dome was added in the 19th century, reflecting the style favored by the Ottoman Empire.
The Constantinian Complex (335–1009)
The earliest extant descriptions of the Church of the Holy Sepulchre are found in pilgrim guidebooks and accounts, in official imperial biographies and ecclesiastic letters. This contemporary interest in the church complex is reflected in modern scholarship, where identification of the form and constituent parts of the Constantinian original are given more attention than later iterations of the church.
Users without a subscription are not able to see the full content on this page. Please subscribe or login.
How to Subscribe
Oxford Bibliographies Online is available by subscription and perpetual access to institutions and individuals. For more information or to contact an Oxford Sales Representative click here.
Purchase an Ebook Version of This Article
Ebooks of the Oxford Bibliographies Online subject articles are available in North America via a number of retailers including Amazon, vitalsource, and more. Simply search on their sites for Oxford Bibliographies Online Research Guides and your desired subject article.
If you would like to purchase an eBook article and live outside North America please email onlinemarketing@oup.com to express your interest.
Article
- Aelred of Rievaulx
- Alfred the Great
- Alighieri, Dante
- Anglo-Saxon Manuscript Illumination
- Anglo-Saxon Stone Sculpture
- Architecture, Carolingian
- Art and Pilgrimage
- Art, Anglo-Saxon
- Art, Byzantine
- Art, Gothic
- Art, Insular
- Art, Ottonian
- Art, Romanesque
- Beowulf
- Boccaccio, Giovanni
- Britain, Drama in
- Britain, Schools in
- Canon Law
- Carolingian Era
- Carolingian Manuscript Illumination
- Chaucer, Geoffrey
- Childhood
- Christian Mysticism
- Christianity and the Church in Post-Conquest England
- Christianity and the Church in Pre-Conquest England
- Chronicles of England and the British Isles
- Clanvowe, John
- Coins
- Crusades, The
- Crusading Warfare
- Dance of Death
- Drama, French
- Drama, German
- Drama, Italian
- Drama, Liturgical
- East Anglia, Art of
- England, Post-Conquest
- England, Pre-Conquest
- England, Towns and Cities Medieval
- Feudalism
- Folk Custom and Entertainment
- Food, Drink, and Diet
- France
- France, Regions of Medieval
- French of England, The
- Friars
- Games and Recreations
- Gerson, Jean
- Gower, John
- Gregory VII
- High Crosses
- Hilton, Walter
- Hoccleve, Thomas
- Hood, Robin
- Hungary
- Hungary, Latin Literacy in Medieval
- Hungary, Libraries in Medieval
- Icons
- Illuminated Manuscripts
- Insular Manuscript Illumination
- King Arthur
- Kings and Monarchy, 1066-1485, English
- Kraków
- Language, Middle English
- Lollards and John Wyclif, The
- Love, Nicholas
- Machaut, Guillaume de
- Magic in the Medieval Theater
- Malmesbury, Aldhelm of
- Medicine
- Medieval Archaeology in Britain, Fifth to Eleventh Centuri...
- Medieval Archaeology in Britain, Twelfth to Fifteenth Cent...
- Metalwork, Anglo-Saxon
- Musical Instruments
- Old English Language
- Papacy, The Medieval
- Peasants
- Petrarch
- Pizan, Christine de
- Plowman, Piers
- Poetry, Old English Religious
- Poland
- Poland, Ethnic and Religious Groups in Medieval
- Pope Innocent III
- Prosody, English
- Saint Plays and Miracles
- Saint-Denis
- Scandinavian Migration Period Gold Bracteates
- Scogan, Henry
- Sermons
- Ships and Seafaring
- Songs, Medieval
- Southampton, Archaeology of
- Spain
- St. Peter’s in the Vatican (Rome)
- The Church of the Holy Sepulchre
- Theater and Drama, Dutch
- Theater and Performance, Iberian
- Travel and Travelers
- Tropes
- Troyes, Chrétien de
- Usk, Thomas
- Venerable Bede, The
- Vikings
- Wall Painting in Europe
- War, Hundred Years
- Welsh Literature
- York Corpus Christi Plays