Dijana Jelača teaches in the Film Department at Brooklyn College. Her areas of inquiry include feminist film studies, trauma and memory studies, and South Slavic film cultures. Jelača's most recent publication is a co-authored textbook (with Kristin Lené Hole) titled Film Feminisms: A Global Introduction (Routledge, 2019). She is also the author of Dislocated Screen Memory: Narrating Trauma in Post-Yugoslav Cinema (Palgrave 2016), and co-editor of The Routledge Companion to Cinema and Gender (Routledge, 2017), The Cultural Life of Capitalism in Yugoslavia (Palgrave, 2017), and The Future of (Post)Socialism (2018). Her work has appeared in Camera Obscura, Feminist Media Studies, Jump Cut, Signs and elsewhere.