Posidippus of Pella
- LAST REVIEWED: 14 December 2009
- LAST MODIFIED: 14 December 2009
- DOI: 10.1093/obo/9780195389661-0085
- LAST REVIEWED: 14 December 2009
- LAST MODIFIED: 14 December 2009
- DOI: 10.1093/obo/9780195389661-0085
Introduction
Though the Greek Anthology has preserved fewer than thirty epigrams ascribed to him, Posidippus of Pella was a relevant figure in the literary scene of the first half of the 3rd century BCE. Two inscriptions conferring proxenia (honorary appointments with diplomatic responsibilities) upon him are known, one from Delphi (ca. 276/75), the other from Thermon (264/63), the latter explicitly mentioning “Posidippus of Pella, the epigrammatist”—thus revealing that epigram was the genre that granted fame to this poet. Posidippus shows several affinities with Asclepiades of Samos, and sometimes appears to imitate him; a fragment of commentary on Callimachus's Response to the Telchines (the so-called scholia Florentina) includes both Asclepiades and Posidippus among Callimachus's enemies; and whatever the real extent of the polemic Posidippus was involved in, it took place at the highest level of contemporary poetry. In a fragmentary elegiac text (Suppl. Hell. 705 = 118 Austin–Bastianini), the elderly Posidippus depicts himself as a wealthy and highly respected man of letters. For all this evidence of his success and reputation, modern scholarship has largely neglected him until very recently. Handbooks and literary histories had him live in the shade of Asclepiades, who was reputed to be a far better and more elegant poet, judgments on the quality of Posidippus's epigrams being often unfavorable: just another reminder of how dangerous it is to superimpose our modern taste on that of the ancients. However, Posidippus enjoyed an unexpected surge in popularity recently, when a Milan papyrus (P.Mil.Vogl. VIII 309, published in 2001; see The “New Posidippus”) made available to the public a collection of some 112 new epigrams on various topics, grouped under sections—[Lithi]ka (On Stones), Oionoskopika (On Omens), Anathematika (Dedications), [Greek title missing] (Epitaphs), Andriantopoiika (On Statues), Hippika (On Equestrian Victories), Nauagika (On Shipwrecks), Iamatika (On Cures), Tropoi (Characters), and possibly others—all apparently written by him. The so-called New Posidippus appeared to be quite different from the “Old” one, and even more interesting from several points of view. This forced us to challenge many commonplace notions on the nature of Hellenistic epigram, and it revealed that Posidippus was not just a devoted follower of Asclepiades. Since then there has been a great flow of scholarly publications devoted to this previously underestimated poet. Much has been done on the new texts, but much surely remains to do.
Bibliographies
Virtually all scholarly books and papers on Posidippus are listed and briefly summarized in L'Année philologique. More detailed surveys, in Italian, are offered by Garulli 2004, Angiò 2003, Angiò 2005, Angiò 2006, and Angiò 2007; they may help readers find their way through the immense bibliographical forest that has grown up since the publication of the Milan papyrus. Similar tools in English would be welcome.
Angiò, Francesca. 2003. Il nuovo Posidippo (2001–2003).” Papyrologica Lupiensia 12:7–68.
Together with Angiò 2005, 2006, and 2007, provides a good bibliographical survey of the New Posidippus.
Angiò, Francesca. 2005. Il nuovo Posidippo (2004). Studi di Egittologia e di Papirologia 2:9–32.
Together with Angiò 2003, 2006, and 2007, provides a good bibliographical survey of the New Posidippus.
Angiò, Francesca. 2006. Il nuovo Posidippo (2005). Studi di Egittologia e di Papirologia 3 (2006): 31–49.
Together with Angiò 2003, 2005, and 2007, provides a good bibliographical survey of the New Posidippus.
Angiò, Francesca. 2007. Il nuovo Posidippo (2006). Studi di Egittologia e di Papirologia 4 (2007): 41–66.
Together with Angiò 2003, 2005, and 2006, provides a good bibliographical survey of the New Posidippus.
L'Année philologique. Paris: Les Belles Lettres, 1924–present.
The reference bibliography for the field of classical studies. All bibliographical data from 1949 onward are also available online, and those between 1924 and 1948 are planned to become available as well by the end of 2009.
A rich selection of bibliographical items concerning both Old and New Posidippus can be found here.
Garulli, Valentina. 2004. Rassegna di studi sul nuovo Posidippo (1993–2003). Lexis 22:291–340.
Detailed bibliographical survey in Italian.
Users without a subscription are not able to see the full content on this page. Please subscribe or login.
How to Subscribe
Oxford Bibliographies Online is available by subscription and perpetual access to institutions. For more information or to contact an Oxford Sales Representative click here.
Article
- Academy, The
- Acropolis of Athens, The
- Aeschylus
- Aeschylus’s Oresteia
- Aesthetics, Greek and Roman
- Africa, Roman
- Agathias
- Agriculture in the Classical World
- Agriculture, Roman
- Alcibiades
- Alexander of Aphrodisias
- Alexander the Great
- Amicitia
- Ammianus Marcellinus
- Amyklaion
- Anatolian, Greek and
- Anaxagoras
- Ancient Classical Scholarship
- Ancient Greek and Latin Grammarians
- Ancient Greek Terracotta Sculpture
- Ancient Mediterranean Baths and Bathing
- Ancient Olympia
- Ancient Skepticism
- Ancient Thebes
- Antisthenes
- Antonines, The
- Aphrodite
- Apollodorus
- Apollonius of Rhodes
- Appendix Vergiliana
- Apuleius
- Apuleius's Platonism
- Ara Pacis Augustae
- Arabic “Theology of Aristotle”, The
- Aratus
- Archaeology, Greek
- Archaeology, Roman
- Archaic Latin
- Architecture, Etruscan
- Architecture, Greek
- Architecture, Roman
- Arena Spectacles
- Aristophanes
- Aristophanes’ Clouds
- Aristophanes’ Lysistrata
- Aristotle
- Aristotle, Ancient Commentators on
- Aristotle's Categories
- Aristotle's Ethics
- Aristotle's Metaphysics
- Aristotle's Philosophy of Mind
- Aristotle’s Physics
- Aristotle's Politics
- Art and Archaeology, Research Resources for Classical
- Art, Etruscan
- Art, Greek
- Art, Late Antique
- Artemis
- Asconius
- Athena
- Athenaeus of Naucratis
- Athenian Agora
- Athenian Economy
- Attic Middle Comic Fragments
- Augustine
- Augustus
- Aulularia, Plautus’s
- Aulus Gellius
- Ausonius
- Bacchylides
- Banking in the Roman World
- Bilingualism and Multilingualism in the Roman World
- Biography, Greek and Latin
- Birds, Aristophanes'
- Boethius
- Britain, Roman
- Bronze Age Aegean, Death and Burial in the
- Caecilius Statius
- Caere/Cerveteri
- Callimachus of Cyrene
- Carthage, Punic
- Casina, Plautus’s
- Cato the Censor
- Cato the Younger
- Catullus
- Christianity, Early
- Chronicles
- Cicero
- Cicero’s Philosophical Works
- Cicero's Pro Archia
- Cicero's Rhetorical Works
- Cities in the Roman World
- Classical Architecture in Europe and North America since 1...
- Classical Architecture in Renaissance and Early Modern Eur...
- Classical Art History, History of Scholarship of
- Classics and Cinema
- Classics and Dance
- Classics and Opera
- Classics and Shakespeare
- Classics and the Victorians
- Claudian (Claudius Claudianus)
- Cleisthenes
- Cleopatra
- Codicology/Paleography, Greek
- Collegia, Roman
- Colonization in the Roman Empire
- Colonization in the Roman Republic
- Columella
- Constantine
- Corippus
- Corpus Tibullianum Book Three
- Countryside, Roman
- Crete, Ancient
- Critias of Athens
- Death
- Death and Burial in the Roman Age
- Declamation
- Democritus
- Demography, Ancient
- Demosthenes
- Dio, Cassius
- Diodorus Siculus
- Diogenes Laertius
- Dionysus
- Donatus
- Doxography, Ancient
- Drama, Latin
- Economy, Roman
- Education
- Egypt, Hellenistic and Roman
- Emotions
- Empedocles
- Ennius
- Epictetus
- Epicurean Ethics
- Epicureanism
- Epigram, Greek Inscribed
- Epigrams, Greek Poetry
- Epigraphy, Greek
- Epigraphy, Latin
- Eratosthenes of Cyrene
- Etruscans
- Etymology, Greek Lexicon and
- Euripides
- Euripides' Alcestis
- Euripides’ Bacchae
- Euripides’ Electra
- Euripides' Orestes
- Euripides’ Trojan Women
- Fabius Pictor
- Family, Roman
- Federal States, Greek
- Festus
- Fishing and Aquaculture, Roman
- Flavian Literature
- Fragments, Greek Old Comic
- Frontiers of the Roman Empire
- Galen
- Gardens, Greek and Roman
- Gaul, Roman
- Geography
- Gracchi Brothers, The
- Greek and Roman Logic
- Greek Colonization
- Greek Domestic Architecture c. 800 bce to c. 100 bce
- Greek Epic, The Language of the
- Greek New Comic Fragments
- Greek Originals and Roman Copies
- Greek Prehistory Through the Bronze Age
- Greek Vase Painting
- Hellenistic Tragedy
- Heracles
- Heraclitus
- Herculaneum (Modern Ercolano)
- Herculaneum Papyri
- Heritage Management
- Hermes
- Herodas
- Herodotus
- Hesiod
- Historia Augusta
- Historiography, Greek
- Historiography, Latin
- History, Greek: Archaic to Classical Age
- History, Greek: Hellenistic
- History of Modern Classical Scholarship (Since 1750), The
- History, Roman: Early to the Republic
- History, Roman: Imperial, 31 BCE–284 CE
- History, Roman: Late Antiquity
- Homer
- Homeric Hymns
- Homo novus/New man
- Horace
- Horace's Epistles and Ars Poetica
- Horace’s Epodes
- Horace’s Odes
- Horace's Satires
- Imperialism, Roman
- Indo-European, Greek and
- Indo-European, Latin and
- Intertextuality in Latin Poetry
- Isocrates
- Isthmia
- Jews and Judaism
- Juvenal
- Knossos, Prehistoric
- Koine, The
- Lactantius
- Land-Surveyors
- Language, Ancient Greek
- Languages, Italic
- Latin, Medieval
- Latin Paleography, Editing, and the Transmission of Classi...
- Latin Particles and Word Order
- Latin Poetry, Epigrams and Satire in
- Law, Greek
- Law, Roman
- Lexicography, Greek
- Lexicography, Latin
- Linguistics, Indo-European
- Literary Criticism, Ancient
- Literary Languages of Greek, The
- Literary Letters, Greek
- Literary Letters, Roman
- Literature, Hellenistic
- Literature, Neo-Latin
- Livy
- Looting and the Antiquities Market
- Lucan
- Lucilius
- Lucretius
- Lysias
- Macedonia
- Macrobius
- Maecenas
- Magic in the Ancient Greco-Roman World
- Maps
- Marcus Aurelius's Meditations
- Marcus Cornelius Fronto
- Marcus Manilius
- Maritime Archaeology of the Ancient Mediterranean
- Marius and Sulla
- Martial
- Maximianus
- Mechanics
- Medea, Seneca's
- Menander of Athens
- Metaphysics, Greek and Roman
- Metrics, Greek
- Middle Platonism
- Military, Greek
- Military, Roman
- Miltiades of Cimon
- Minor Socratics
- Mosaics, Greek and Roman
- Mythography
- Mythology
- Narratology and the Classics
- Neoplatonism
- Neoteric Poets, The
- Nepos, Cornelius
- Nonius Marcellus
- Nonnus
- Novel, Roman
- Novel, The Greek
- Numismatics, Greek and Roman
- Onomastics
- Optimates/Populares
- Orosius
- Orpheus and Orphism
- Ovid
- Ovid’s Exile Poetry
- Ovid’s Love Poetry
- Ovid's Metamorphoses
- Painting, Greek
- Panaetius of Rhodes
- Panathenaic Festival, the
- Pantheon
- Papyrology: Literary and Documentary
- Parmenides
- Parthenon
- Parthian Empire, The
- Pausanias
- Performance Culture, Greek
- Perikles (Pericles)
- Petronius
- Philo of Alexandria
- Philodemus of Gadara
- Philoponus
- Philosophy, Dialectic in Ancient Greek and Roman
- Philosophy, Greek
- Philosophy of Language, Ancient
- Philosophy, Presocratic
- Philosophy, Roman
- Philostratus, Lucius Flavius
- Pindar
- Plato
- Plato’s Apology of Socrates
- Plato’s Crito
- Plato's Laws
- Plato’s Metaphysics
- Plato’s Phaedo
- Plato’s Philebus
- Plato’s Sophist
- Plato's Symposium
- Plato’s Theaetetus
- Plato's Timaeus
- Plautus
- Plautus’s Amphitruo
- Plautus’s Curculio
- Plautus’s Miles Gloriosus
- Pliny the Elder
- Pliny the Younger
- Plotinus
- Plutarch's Moralia
- Poetic Meter, Latin
- Poetry, Greek: Elegiac and Lyric
- Poetry, Greek: Iambos
- Poetry, Greek: Pre-Hellenistic
- Poetry, Latin: From the Beginnings through the End of the ...
- Poetry, Latin: Imperial
- Polis
- Political Philosophy, Greek and Roman
- Polybius
- Pompeii
- Porphyry
- Posidippus of Pella
- Posidonius
- Poverty in the Roman World
- Proclus
- Prometheus
- Prometheus, Aeschylus'
- Propertius
- Prosopography
- Prudentius
- Pyrrho of Elis
- Pythagoreanism
- Quintilian
- Religion, Greek
- Religion, Roman
- Rhetoric, Greek
- Rhetoric, Latin
- Roman Agricultural Writers, The
- Roman Consulship, The
- Roman Italy, 4th Century bce to 3rd Century ce
- Roman Kingship
- Roman Patronage
- Roman Roads and Transport
- Sacrifice
- Sallust
- Samnites
- Samothrace
- Sappho
- Sardis, Ancient
- Scholia
- Science, Greek and Roman
- Sculpture, Etruscan
- Sculpture, Greek
- Sculpture, Roman
- Seneca the Elder
- Seneca the Younger's Philosophical Works
- Seneca’s Oedipus
- Seneca's Phaedra
- Seneca's Tragedies
- Severans, The
- Sexuality
- Silius Italicus
- Slavery, Greek
- Slavery, Roman
- Socrates
- Solon
- Sophocles
- Sophocles’ Ajax
- Sophocles’ Antigone
- Sophocles’ Electra
- Sophocles’ Fragments
- Sophocles’ Oedipus at Colonus
- Sophocles’ Oedipus the King
- Sophocles’ Philoctetes
- Sophocles’ Trachiniae
- Sosipatra
- Spain, Roman
- Sparta
- Sport
- Statius
- Stesichorus of Himera
- Stoicism
- Strabo
- Suetonius
- Symposion, Greek
- Tacitus
- Technology, Greek and Roman
- Terence
- Terence’s Adelphoe
- Terence’s Eunuchus
- Tertullian
- The Sophists
- The Tabula Peutingeriana (Peutinger Map)
- Theater Production, Greek
- Theocritus of Syracuse
- Theoderic the Great and Ostrogothic Italy
- Theophrastus of Eresus
- Thucydides
- Tibullus
- Topography of Athens
- Topography of Rome
- Tragic Chorus, The
- Translation and Classical Reception
- Transmission of Greek and Latin Literature
- Valerius Flaccus
- Valerius Maximus
- Varro, Marcus Terentius
- Veii
- Velleius Paterculus
- Virgil
- Vitruvius
- Wall Painting, Etruscan
- Xenophanes
- Xenophon
- Zeno of Elea
- Zeus