Greek Painting
- LAST REVIEWED: 30 August 2016
- LAST MODIFIED: 30 August 2016
- DOI: 10.1093/obo/9780195389661-0231
- LAST REVIEWED: 30 August 2016
- LAST MODIFIED: 30 August 2016
- DOI: 10.1093/obo/9780195389661-0231
Introduction
The scope of this article under the heading of Greek painting is broad. In effect, this article takes on the almost impossible, and inevitably controversial, task of covering vast territories throughout the Mediterranean in areas where Greeks at different periods cast their influence, directly or indirectly, whether through trade, migration, or intermarriage. It raises issues ranging from identity and ethnicity to acculturation and hybridity that we can recognize as taking many forms. “Mediterraneanisms” is a term sometimes employed rather effectively, but complexities are legion and the study of paintings on a contextual basis is highly recommended. Yet for all the inclusivity of coverage attempted here, two major areas are omitted: the Aegean Bronze Age and the Etruscans (except in passing), because Oxford Bibliographies follows the traditional pattern in treating them as separate units. This article is structured to begin with general overviews and bibliographic tools. Next comes a selection of basic works on literary sources, followed by a section on color and technical aspects. The bulk of the article is then organized according to conventional chronological divisions (Archaic, Classical, and Hellenistic) with subdivisions set along relevant geographic lines, moving according to chronological division in loosely clockwise fashion from Archaic Greece as a starting point to Hellenistic Italy at the end. The aim is to provide something of a road map through an unstructured maze that includes not only mural paintings but also selective groupings of vase paintings, an assortment of painted stelae, plaques, altars, klinai, and, in the Hellenistic period, even a few pictorial mosaics and textiles that are arguably dependent on monumental painting. Finally, there is an excursus that introduces as case studies two important Roman monuments that are widely held to be inspired by Greek prototypes.
General Overviews and Bibliographic Tools
Swindler 1929 is the first comprehensive study of ancient painting, from caves to Christians, in a masterful single volume that is still worth consulting for its many insights. The field has, however, developed since then both in terms of the greatly expanded corpus and by virtue of different scholarly approaches. The current tendency is to focus on regions or chronological periods within them according to scholarly expertize. Indicative is Pollitt 2014 with its individually authored chapters that begin with the Aegean Bronze Age, more often treated separately in the early 21st century, and end with Roman Imperial times to include regions both in the East and West, and chronological divisions within them. Important is the way Etruscan painting is integrated into the whole. Pollitt 2014 will be an obvious starting point for current research. Also to be recommended is the more narrowly defined Scheibler 1994 for its overview in relatively compact format of Greek painting, Archaic through Hellenistic. Many will find Lydakis 2004 intriguing for the great swath the author cuts through the medium from the Bronze Age down to Renaissance reception of ancient painting. AIPMA produces the bibliographic publication titled Apelles, which is a useful guide to early-21st-century research.
AIPMA: Association Internationale pour la Peinture Murale Antique.
This association, founded in 1989, regularly publishes a bibliographic bulletin on ancient paintings that is titled Apelles. It is a useful serial of broad scope, though, like its counterpart on mosaics, AIEMA (Association Internationale pour l’Étude de la Mosaïque Antique), it is heavily weighted toward the Roman period in accord with the nature of the discipline. AIPMA also sponsors international conferences on ancient painting, most recently in 2013 at Athens, Greece, which are followed by published proceedings.
Lydakis, Stelios. 2004. Ancient Greek painting and its echoes in later art. Translated by John Davis. Athens, Greece: Melissa.
A handsome book, translated from the Greek (Αρχαία ελληνική ζωγραφική και οι απηχήσεις της στους νεότερους χρόνους) that covers material from the Bronze Age through the Renaissance. The author seeks to reconstruct Greek painting along traditional lines but takes an extreme and rather outmoded position in viewing Roman paintings as essentially little more than copies of Greek originals. It is on Antiquity’s reception in the Renaissance and beyond that the author has most to offer.
Pollitt, Jerome J., ed. 2014. The Cambridge history of painting in the classical world. Cambridge, UK: Cambridge Univ. Press.
An excellent, up-to-date resource with chapters written by experts in the field, ranging from ancient art criticism to major regional and chronological epochs covering the Aegean Bronze Age to Late Imperial Rome. A must for current research. Includes CD-ROM.
Scheibler, Ingeborg. 1994. Griechische Malerei der Antike. Munich: C. H. Beck.
A useful handbook. Evidence from literary sources is combined with material culture across artistic media to take into account not only Greek monumental painting but also paintings on clay, stone, and wood. All basic issues are addressed with a good assortment of black-and-white illustrations.
Swindler, Mary Hamilton. 1929. Ancient painting from the earliest times to the period of Christian art. New Haven, CT: Yale Univ. Press.
A comprehensive study aimed at student usage, still to be consulted despite being much out of date. A masterful work for its time. Reprinted as recently as 1979 (New York: AMS Press).
Users without a subscription are not able to see the full content on this page. Please subscribe or login.
How to Subscribe
Oxford Bibliographies Online is available by subscription and perpetual access to institutions. For more information or to contact an Oxford Sales Representative click here.
Article
- Academy, The
- Acropolis of Athens, The
- Aeschylus
- Aeschylus’s Oresteia
- Aesthetics, Greek and Roman
- Africa, Roman
- Agathias
- Agriculture in the Classical World
- Agriculture, Roman
- Alcibiades
- Alexander of Aphrodisias
- Alexander the Great
- Amicitia
- Ammianus Marcellinus
- Amyklaion
- Anatolian, Greek and
- Anaxagoras
- Ancient Classical Scholarship
- Ancient Greek and Latin Grammarians
- Ancient Greek Terracotta Sculpture
- Ancient Mediterranean Baths and Bathing
- Ancient Olympia
- Ancient Skepticism
- Ancient Thebes
- Antisthenes
- Antonines, The
- Aphrodite
- Apollodorus
- Apollonius of Rhodes
- Appendix Vergiliana
- Apuleius
- Apuleius's Platonism
- Ara Pacis Augustae
- Arabic “Theology of Aristotle”, The
- Aratus
- Archaeology, Greek
- Archaeology, Roman
- Archaic Latin
- Architecture, Etruscan
- Architecture, Greek
- Architecture, Roman
- Arena Spectacles
- Aristophanes
- Aristophanes’ Clouds
- Aristophanes’ Lysistrata
- Aristotle
- Aristotle, Ancient Commentators on
- Aristotle's Categories
- Aristotle's Ethics
- Aristotle's Metaphysics
- Aristotle's Philosophy of Mind
- Aristotle’s Physics
- Aristotle's Politics
- Art and Archaeology, Research Resources for Classical
- Art, Etruscan
- Art, Greek
- Art, Late Antique
- Artemis
- Asconius
- Athena
- Athenaeus of Naucratis
- Athenian Agora
- Athenian Economy
- Attic Middle Comic Fragments
- Augustine
- Augustus
- Aulularia, Plautus’s
- Aulus Gellius
- Ausonius
- Bacchylides
- Banking in the Roman World
- Bilingualism and Multilingualism in the Roman World
- Biography, Greek and Latin
- Birds, Aristophanes'
- Boethius
- Britain, Roman
- Bronze Age Aegean, Death and Burial in the
- Caecilius Statius
- Caere/Cerveteri
- Callimachus of Cyrene
- Carthage, Punic
- Casina, Plautus’s
- Cato the Censor
- Cato the Younger
- Catullus
- Christianity, Early
- Chronicles
- Cicero
- Cicero’s Philosophical Works
- Cicero's Pro Archia
- Cicero's Rhetorical Works
- Cicero's Speeches: Individual Speeches
- Cicero's Speeches: Overviews and Themes
- Cities in the Roman World
- Classical Architecture in Europe and North America since 1...
- Classical Architecture in Renaissance and Early Modern Eur...
- Classical Art History, History of Scholarship of
- Classics and Cinema
- Classics and Dance
- Classics and Opera
- Classics and Shakespeare
- Classics and the Victorians
- Claudian (Claudius Claudianus)
- Cleisthenes
- Cleopatra
- Codicology/Paleography, Greek
- Collegia, Roman
- Colonization in the Roman Empire
- Colonization in the Roman Republic
- Columella
- Constantine
- Corippus
- Corpus Tibullianum Book Three
- Countryside, Roman
- Crete, Ancient
- Critias of Athens
- Death
- Death and Burial in the Roman Age
- Declamation
- Democritus
- Demography, Ancient
- Demosthenes
- Dio, Cassius
- Diodorus Siculus
- Diogenes Laertius
- Dionysus
- Donatus
- Doxography, Ancient
- Drama, Latin
- Economy, Roman
- Education
- Egypt, Hellenistic and Roman
- Emotions
- Empedocles
- Ennius
- Epictetus
- Epicurean Ethics
- Epicureanism
- Epigram, Greek Inscribed
- Epigrams, Greek Poetry
- Epigraphy, Greek
- Epigraphy, Latin
- Eratosthenes of Cyrene
- Etruscans
- Etymology, Greek Lexicon and
- Euripides
- Euripides' Alcestis
- Euripides’ Bacchae
- Euripides’ Electra
- Euripides' Orestes
- Euripides’ Trojan Women
- Fabius Pictor
- Family, Roman
- Federal States, Greek
- Festus
- Fishing and Aquaculture, Roman
- Flavian Literature
- Fragments, Greek Old Comic
- Frontiers of the Roman Empire
- Galen
- Gardens, Greek and Roman
- Gaul, Roman
- Geography
- Gracchi Brothers, The
- Greek and Roman Logic
- Greek Colonization
- Greek Domestic Architecture c. 800 bce to c. 100 bce
- Greek Epic, The Language of the
- Greek New Comic Fragments
- Greek Originals and Roman Copies
- Greek Prehistory Through the Bronze Age
- Greek Vase Painting
- Hellenistic Tragedy
- Heracles
- Heraclitus
- Herculaneum (Modern Ercolano)
- Herculaneum Papyri
- Heritage Management
- Hermes
- Herodas
- Herodotus
- Hesiod
- Historia Augusta
- Historiography, Greek
- Historiography, Latin
- History, Greek: Archaic to Classical Age
- History, Greek: Hellenistic
- History of Modern Classical Scholarship (Since 1750), The
- History, Roman: Early to the Republic
- History, Roman: Imperial, 31 BCE–284 CE
- History, Roman: Late Antiquity
- Homer
- Homeric Hymns
- Homo novus/New man
- Horace
- Horace's Epistles and Ars Poetica
- Horace’s Epodes
- Horace’s Odes
- Horace's Satires
- Imperialism, Roman
- Indo-European, Greek and
- Indo-European, Latin and
- Intertextuality in Latin Poetry
- Isocrates
- Isthmia
- Jews and Judaism
- Juvenal
- Knossos, Prehistoric
- Koine, The
- Lactantius
- Land-Surveyors
- Language, Ancient Greek
- Languages, Italic
- Latin, Medieval
- Latin Paleography, Editing, and the Transmission of Classi...
- Latin Particles and Word Order
- Latin Poetry, Epigrams and Satire in
- Law, Greek
- Law, Roman
- Lexicography, Greek
- Lexicography, Latin
- Linguistics, Indo-European
- Literary Criticism, Ancient
- Literary Languages of Greek, The
- Literary Letters, Greek
- Literary Letters, Roman
- Literature, Hellenistic
- Literature, Neo-Latin
- Livy
- Looting and the Antiquities Market
- Lucan
- Lucilius
- Lucretius
- Lysias
- Macedonia
- Macrobius
- Maecenas
- Magic in the Ancient Greco-Roman World
- Maps
- Marcus Aurelius's Meditations
- Marcus Cornelius Fronto
- Marcus Manilius
- Maritime Archaeology of the Ancient Mediterranean
- Marius and Sulla
- Martial
- Maximianus
- Mechanics
- Medea, Seneca's
- Menander of Athens
- Metaphysics, Greek and Roman
- Metrics, Greek
- Middle Platonism
- Military, Greek
- Military, Roman
- Miltiades of Cimon
- Minor Socratics
- Mosaics, Greek and Roman
- Mythography
- Mythology
- Narratology and the Classics
- Neoplatonism
- Neoteric Poets, The
- Nepos, Cornelius
- Nonius Marcellus
- Nonnus
- Novel, Roman
- Novel, The Greek
- Numismatics, Greek and Roman
- Onomastics
- Optimates/Populares
- Orosius
- Orpheus and Orphism
- Ovid
- Ovid’s Exile Poetry
- Ovid’s Love Poetry
- Ovid's Metamorphoses
- Painting, Greek
- Panaetius of Rhodes
- Panathenaic Festival, the
- Pantheon
- Papyrology: Literary and Documentary
- Parmenides
- Parthenon
- Parthian Empire, The
- Pausanias
- Performance Culture, Greek
- Perikles (Pericles)
- Petronius
- Philo of Alexandria
- Philodemus of Gadara
- Philoponus
- Philosophy, Dialectic in Ancient Greek and Roman
- Philosophy, Greek
- Philosophy of Language, Ancient
- Philosophy, Presocratic
- Philosophy, Roman
- Philostratus, Lucius Flavius
- Pindar
- Plato
- Plato’s Apology of Socrates
- Plato’s Crito
- Plato's Laws
- Plato’s Metaphysics
- Plato’s Phaedo
- Plato’s Philebus
- Plato’s Sophist
- Plato's Symposium
- Plato’s Theaetetus
- Plato's Timaeus
- Plautus
- Plautus’s Amphitruo
- Plautus’s Curculio
- Plautus’s Miles Gloriosus
- Pliny the Elder
- Pliny the Younger
- Plotinus
- Plutarch's Moralia
- Poetic Meter, Latin
- Poetry, Greek: Elegiac and Lyric
- Poetry, Greek: Iambos
- Poetry, Greek: Pre-Hellenistic
- Poetry, Latin: From the Beginnings through the End of the ...
- Poetry, Latin: Imperial
- Polis
- Political Philosophy, Greek and Roman
- Polybius
- Pompeii
- Porphyry
- Posidippus of Pella
- Posidonius
- Poverty in the Roman World
- Proclus
- Prometheus
- Prometheus, Aeschylus'
- Propertius
- Prosopography
- Protagoras
- Prudentius
- Pyrrho of Elis
- Pythagoreanism
- Quintilian
- Religion, Greek
- Religion, Roman
- Rhetoric, Greek
- Rhetoric, Latin
- Roman Agricultural Writers, The
- Roman Consulship, The
- Roman Italy, 4th Century bce to 3rd Century ce
- Roman Kingship
- Roman Patronage
- Roman Roads and Transport
- Sacrifice
- Sallust
- Samnites
- Samothrace
- Sappho
- Sardis, Ancient
- Scholia
- Science, Greek and Roman
- Sculpture, Etruscan
- Sculpture, Greek
- Sculpture, Roman
- Seneca the Elder
- Seneca the Younger's Philosophical Works
- Seneca’s Oedipus
- Seneca's Phaedra
- Seneca's Tragedies
- Severans, The
- Sexuality
- Silius Italicus
- Slavery, Greek
- Slavery, Roman
- Socrates
- Solon
- Sophocles
- Sophocles’ Ajax
- Sophocles’ Antigone
- Sophocles’ Electra
- Sophocles’ Fragments
- Sophocles’ Oedipus at Colonus
- Sophocles’ Oedipus the King
- Sophocles’ Philoctetes
- Sophocles’ Trachiniae
- Sosipatra
- Spain, Roman
- Sparta
- Sport
- Statius
- Stesichorus of Himera
- Stoicism
- Strabo
- Suetonius
- Symposion, Greek
- Tacitus
- Technology, Greek and Roman
- Terence
- Terence’s Adelphoe
- Terence’s Eunuchus
- Tertullian
- The Sophists
- The Tabula Peutingeriana (Peutinger Map)
- Theater Production, Greek
- Theocritus of Syracuse
- Theoderic the Great and Ostrogothic Italy
- Theophrastus of Eresus
- Thucydides
- Tibullus
- Topography of Athens
- Topography of Rome
- Tragic Chorus, The
- Translation and Classical Reception
- Transmission of Greek and Latin Literature
- Valerius Flaccus
- Valerius Maximus
- Varro, Marcus Terentius
- Veii
- Velleius Paterculus
- Virgil
- Vitruvius
- Wall Painting, Etruscan
- Xenophanes
- Xenophon
- Zeno of Elea
- Zeus