Jean Gerson
- LAST REVIEWED: 06 February 2012
- LAST MODIFIED: 06 February 2012
- DOI: 10.1093/obo/9780195396584-0032
- LAST REVIEWED: 06 February 2012
- LAST MODIFIED: 06 February 2012
- DOI: 10.1093/obo/9780195396584-0032
Introduction
Jean Gerson (b. 1363–d. 1429; also Jean de Gerson, or, originally, Jean Charlier) was the most popular and influential theologian of his generation, the most important architect of the conciliar solution to the Great Schism (1378–1415), and the leading figure at the Council of Constance (1414–1418). He came from a family of modest means in the Champagne region of France. As a young student at the College of Navarre in Paris, he came in contact with humanist currents from Italy (he probably read Petrarch at this time), which left some traces in his writings. He first gained fame as a popular preacher in Paris in the early 1390s and then followed his master Pierre d’Ailly as the chancellor of the University of Paris in 1395. He gained international renown as a result of his leading role at the Council of Constance, which put an end to the Great Schism. Following the Council he traveled in Germany and then to Lyon, where his brother was a Celestine monk. Although still chancellor, he never returned to Paris, which had fallen under the control of his political enemies, the Anglo-Burgundians. He wrote hundreds of works in Latin and French and in a variety of genres. They survive in thousands of manuscripts, especially in German-speaking lands, and attest to his tremendous popularity as a moral and spiritual authority in 15th-century Europe. Gerson’s wide-ranging interests extended well beyond the traditional limits of university masters, and his writings serve as a window into 15th-century life and thought. His complete works were first printed in 1483 (many individual works were printed before this) and were frequently reprinted through the first quarter of the 16th century. Later humanists and university theologians alike claimed him as one of their intellectual fathers. Until around 1970, most research on Gerson was carried out by French scholars, many of them clerics, and was published in a few French journals. Since then the scholarship has fragmented, with major contributions in German, Italian, and English as well as French. Because of the complexity and range of Gerson’s contributions to late medieval thought and culture, the student of Gerson must track scholarship in a variety of disciplines and on topics as diverse as mystical theology, music, conciliarism, and Joan of Arc.
Dictionary and Encyclopedia Articles
Readers who are new to Jean Gerson may find it convenient to begin with a dictionary or encyclopedia article. The most substantial overview in English is Hays 1999. For more concise articles, see Fisher 2001 and Pascoe 1985. For something more comprehensive, the reader must turn to articles in French or in German. Glorieux 1967 still provides the most comprehensive overview of Gerson’s career and writings. Combes 1984 updates the bibliography for this article. Salembier 1947 provides the most in-depth treatment of Gerson’s ecclesiology and theology. Ouy 1994 is much shorter but a good place to begin if one reads French. Burger 1984 performs a similar service for German readers.
Burger, Christoph. “Gerson, Johannes (1363–1429).” In Theologische Realenzyklopädie. Vol. 12. Edited by Gerhard Krause and Gerhard Müller, 532–538. Berlin: Walter de Gruyter, 1984.
In German. Good overview of Gerson’s life and works. A considerable secondary bibliography is unhelpfully lumped together at the end of the article and is difficult to navigate.
Combes, André. “Gerson (Jean).” In Dictionnaire d’histoire et de géographie écclesiastiques. Vol. 20. Edited by Roger Aubert, 1056–1057. Paris: Letouzey et Ané, 1984.
In French. Contains only updated bibliography for Glorieux 1967.
Fisher, Jeffrey. “Gerson, Jean.” In The Late Medieval Age of Crisis and Renewal, 1300–1500: A Biographical Dictionary. Edited by Clayton J. Drees, 183–185. Westport, CT: Greenwood, 2001.
In English. Reliable and concise overview, but far too concise to communicate the complexity of Gerson’s career and the range of his writings.
Glorieux, Palémon. “Gerson (Jean).” In Dictionnaire de spiritualité ascétique et mystique, doctrine et histoire. Vol. 6. Edited by Marcel Viller, 314–331. Paris: G. Beauchesne et ses fils, 1967.
In French. Though showing its age, this is still the best overview of Gerson’s career and writings in the form of an encyclopedia article in any language. Organized under four headings: Life, Works, Spiritual Doctrine, and Sources and Influence, each with subdivisions and substantial bibliography.
Hays, B. Gregory. “Jean Gerson (14 December 1363–12 July 1429).” In Literature of the French and Occitan Middle Ages: Eleventh to Fifteenth Centuries. Dictionary of Literary Biography, vol. 208. Edited by Deborah Sinnreich-Levi and Ian S. Laurie, 129–140. Detroit: Gale Group, 1999.
In English. Provides even, fair treatment of the major highlights of Gerson’s career, with extended discussion of selected works. Almost completely silent on Gerson’s literary production during the Lyon period. Nonetheless, this article is the most thorough overview of Gerson’s career in English. Lists basic bibliography.
Ouy, Gilbert. “Jean Gerson (Jean Le Charlier, 1363–1429).” In Dictionnaire des lettres françaises: Le Moyen Age. 2d ed. Edited by Geneviève Hasenohr and Michel Zink, 782–785. Paris: Fayard, 1994.
In French. Concise but substantial overview, with the additional benefit of introducing the reader to the major themes of Gilbert Ouy’s research on Gerson. Not focused on Gerson’s French works. Look elsewhere for bibliography.
Pascoe, Louis B. “Gerson, John (Jean Charlier) (1363–1429).” In Dictionary of the Middle Ages. Vol. 5. Edited by Joseph R. Strayer, 512–513. New York: Charles Scribner’s Sons, 1985.
In English. Reliable but describes only the barest essentials of Gerson’s career.
Salembier, Louis. “Gerson (Jean le Charlier de).” In Dictionnaire de théologie catholique. Vol. 6, part 1. Edited by Alfred Vacant, Eugène Mangenot, and Émile Amann, 1314–1330. Paris: Letouzey et Ané, 1947.
In French. Still well worth consulting for an overview of Gerson’s writings. Careful, detailed, and incisive, even if sometimes preoccupied with issues that no longer seem relevant. Divided into five sections: biography, ecclesiology and role at the Council of Constance, moral theology, mystical theology, and preaching. See also the helpful analytical tables in Dictionnaire de théologie catholique: Tables générales, 1804–1806.
Users without a subscription are not able to see the full content on this page. Please subscribe or login.
How to Subscribe
Oxford Bibliographies Online is available by subscription and perpetual access to institutions. For more information or to contact an Oxford Sales Representative click here.
Article
- Aelred of Rievaulx
- Alcuin of York
- Alexander the Great
- Alfonso X
- Alfred the Great
- Alighieri, Dante
- Ancrene Wisse
- Angevin Dynasty
- Anglo-Norman Realm
- Anglo-Saxon Art
- Anglo-Saxon Law
- Anglo-Saxon Manuscript Illumination
- Anglo-Saxon Metalwork
- Anglo-Saxon Stone Sculpture
- Apocalypticism, Millennialism, and Messianism
- Archaeology of Southampton
- Armenian Art
- Art and Pilgrimage
- Art in Italy
- Art in the Visigothic Period
- Art of East Anglia
- Art of London and South-East England, Post-Conquest to Mon...
- Arthurian Romance
- Attila And The Huns
- Auchinleck Manuscript, The
- Audelay, John
- Augustodunensis, Honorius
- Bartholomaeus Anglicus
- Benedictines After 1100
- Benoît de Sainte Maure [113]
- Beowulf
- Bernard of Clairvaux
- Bernardus Silvestris
- Biblical Apocrypha
- Birgitta of Sweden and the Birgittine Order
- Boccaccio, Giovanni
- Boethius
- Bokenham, Osbern
- Book of Durrow
- Book of Kells
- Bozon, Nicholas
- Byzantine Art
- Byzantine Empire, Women in the
- Byzantine Manuscript Illumination
- Byzantine Monasticism
- Byzantine Science
- Calendars and Time (Christian)
- Cambridge Songs
- Canon Law
- Capgrave, John
- Carolingian Architecture
- Carolingian Era
- Carolingian Manuscript Illumination
- Carolingian Metalwork
- Carthusians and Eremitic Orders
- Cecco d’Ascoli (Francesco Stabili)
- Charlemagne
- Charles d’Orléans
- Charters of the British Isles
- Chaucer, Geoffrey
- Childhood
- Christian Mysticism
- Christianity and the Church in Post-Conquest England
- Christianity and the Church in Pre-Conquest England
- Christina of Markyate
- Chronicles (East Norse, Rhymed Chronicles)
- Chronicles of England and the British Isles
- Church of the Holy Sepulchre, The
- Cistercian Architecture
- Cistercians, The
- Clanvowe, John
- Classics in the Middle Ages
- Cloud of Unknowing and Related Texts, The
- Coins
- Constantinople and Byzantine Cities
- Contemporary Sagas (Bishops’ sagas and Sturlunga saga)
- Coptic Art
- Corpus Christi
- Councils and Synods of the Medieval Church
- Crusades, The
- Crusading Warfare
- Cynewulf
- da Barberino, Francesco
- da Lentini, Giacomo
- da Tempo, Antonio and da Sommacampagna, Gidino
- da Todi, Iacopone
- Dance
- Dance of Death
- d’Arezzo, Ristoro
- de la Sale, Antoine
- de’ Rossi, Nicolò
- de Santa Maria, Cantigas
- Death and Dying in England
- Decorative Arts
- delle Vigne, Pier
- Drama in Britain
- Dress
- Dutch Theater and Drama
- Early Italian Humanists
- Economic History
- Eddic Poetry
- El Cid
- England, Pre-Conquest
- England, Towns and Cities Medieval
- English Prosody
- Exeter Book, The
- Falconry
- Family Letters in 15th Century England
- Family Life in the Middle Ages
- Feast of Fools
- Female Monasticism to 1100
- Feudalism
- Findern Manuscript (CUL Ff.i.6), The
- Florence
- Folk Custom and Entertainment
- Food, Drink, and Diet
- Fornaldarsögur
- France
- French Drama
- French Monarchy, The
- French of England, The
- Friars
- Froissart, Jean
- Games and Recreations
- Gawain Poet, The
- German Drama
- Gerson, Jean
- Glass, Stained
- Gothic Art
- Gower, John
- Gregory VII
- Guilds
- Hagiography in the Byzantine Empire
- Handbooks for Confessors
- Hardyng, John
- Harley 2253 Manuscript, The
- Hiberno-Latin Literature
- High Crosses
- Hilton, Walter
- Historical Literature (Íslendingabók, Landnámabók)
- Hoccleve, Thomas
- Hood, Robin
- Hospitals in the Middle Ages
- Hundred Years War
- Hungary
- Hungary, Latin Literacy in Medieval
- Hungary, Libraries in Medieval
- Hymns
- Icons
- Illuminated Manuscripts
- Illustrated Beatus Manuscripts
- Insular Art
- Insular Manuscript Illumination
- Islamic Architecture (622–1500)
- Italian Cantari
- Italian Chronicles
- Italian Drama
- Italian Mural Decoration
- Italian Novella, The
- Italian Religious Writers of the Trecento
- Italian Rhetoricians
- Jewish Manuscript Illumination
- Jews and Judaism in Medieval Europe
- Julian of Norwich
- Junius Manuscript, The
- King Arthur
- Kings and Monarchy, 1066-1485, English
- Kings’ Sagas
- Knapwell, Richard
- Kraków
- Lancelot-Grail Cycle
- Late Medieval Preaching
- Latin and Vernacular Song in Medieval Italy
- Latin Arts of Poetry and Prose, Medieval
- Latino, Brunetto
- Learned and Scientific Literature
- Ælfric
- Libraries in England and Wales
- Lindisfarne Gospels
- Liturgical Drama
- Liturgical Processions
- Liturgy
- Lollards and John Wyclif, The
- Lombards in Italy
- London, Medieval
- Love, Nicholas
- Low Countries
- Lydgate, John
- Machaut, Guillaume de
- Magic in the Medieval Theater
- Maidstone, Richard
- Malmesbury, Aldhelm of
- Malory, Sir Thomas
- Manuscript Illumination, Ottonian
- Marie de France
- Markets and Fairs
- Masculinity and Male Sexuality in the Middle Ages
- Medicine
- Medieval Archaeology in Britain, Fifth to Eleventh Centuri...
- Medieval Archaeology in Britain, Twelfth to Fifteenth Cent...
- Medieval Bologna
- Medieval Chant for the Mass Ordinary
- Medieval English Universities
- Medieval Ivories
- Medieval Latin Commentaries on Classical Myth
- Medieval Music Theory
- Medieval Naples
- Medieval Optics
- Melusine
- Mendicant Orders and Late Medieval Art Patronage in Italy
- Middle English Language
- Middle English Lyric
- Mirk, John
- Mosaics in Italy
- Mozarabic Art
- Music and Liturgy for the Cult of Saints
- Music in Medieval Towns and Cities
- Music of the Troubadours and Trouvères
- Musical Instruments
- Necromancy, Theurgy, and Intermediary Beings
- Nibelungenlied, The
- Nicholas of Cusa
- Nordic Laws
- Norman (and Anglo-Norman) Manuscript Ilumination
- N-Town Plays
- Nuns and Abbesses
- Old English Hexateuch, The Illustrated
- Old English Language
- Old English Literature and Critical Theory
- Old English Religious Poetry
- Old Norse-Icelandic Sagas
- Ottonian Art
- Ovid in the Middle Ages
- Ovide moralisé, The
- Owl and the Nightingale, The
- Papacy, The Medieval
- Paris
- Peasants
- Persianate Dynastic Period/Later Caliphate (c. 800–1000)
- Peter Abelard
- Petrarch
- Philosophy in the Eastern Roman Empire
- Pictish Art
- Pizan, Christine de
- Plowman, Piers
- Poland
- Poland, Ethnic and Religious Groups in Medieval
- Pope Innocent III
- Post-Conquest England
- Pre-Carolingian Western European Kingdoms
- Prick of Conscience, The
- Pucci, Antonio
- Pythagoreanism in the Middle Ages
- Queens
- Rate Manuscript (Oxford, Bodleian Library, MS Ashmole 61)
- Regions of Medieval France
- Regular Canons
- Religious Instruction (Homilies, Sermons, etc.)
- Religious Lyrics
- Rímur
- Robert Mannyng of Brunne
- Rolle, Richard
- Roman Law
- Romances (East and West Norse)
- Romanesque Art
- Rus in Medieval Europe
- Ruthwell Cross
- Sagas and Tales of Icelanders
- Saint Plays and Miracles
- Saint-Denis
- Saints’ Lives
- Scandinavian Migration-Period Gold Bracteates
- Schools in Medieval Britain
- Scogan, Henry
- Seals
- Sermons
- Sex and Sexuality
- Ships and Seafaring
- Shirley, John
- Skaldic Poetry
- Slavery in Medieval Europe
- Snorra Edda
- Song of Roland, The
- Songs, Medieval
- Spain
- St. Dunstan, Archbishop of Canterbury
- St. Peter's in the Vatican (Rome)
- Syria and Palestine in the Byzantine Empire
- Textiles
- The Middle Ages, The Trojan War in
- The Notre Dame School and the Music of the Magnus liber or...
- The Use of Sarum and Other Liturgical Uses in Later Mediev...
- Theater and Performance, Iberian
- Thirteenth-Century Motets in France
- Thomas Aquinas
- Thomism
- Thornton, Robert
- Tomb Sculpture
- Travel and Travelers
- Trevisa, John
- Tropes
- Troubadours and Trouvères
- Troyes, Chrétien de
- Umayyad History
- Usk, Adam
- Usk, Thomas
- Venerable Bede, The
- Vercelli Book, The
- Vernon Manuscript, The
- Vikings
- Von Eschenbach, Wolfram
- Wace
- Wall Painting in Europe
- Wearmouth-Jarrow
- Welsh Literature
- William of Ockham
- Witchcraft
- Women's Life Cycles
- Wulfstan
- York Corpus Christi Plays
- York, Medieval