John Trevisa
- LAST REVIEWED: 26 February 2020
- LAST MODIFIED: 26 February 2020
- DOI: 10.1093/obo/9780195396584-0279
- LAST REVIEWED: 26 February 2020
- LAST MODIFIED: 26 February 2020
- DOI: 10.1093/obo/9780195396584-0279
Introduction
The English translator John Trevisa (b. c. 1342–d. 1402) was an exact contemporary of the poet Geoffrey Chaucer. As is the case with Chaucer, very little of Trevisa’s life can be reconstructed from extant documents. Like Chaucer, Trevisa observed social and political events but referred only obliquely to them, and like Chaucer he staked his legacy to a body of work in English only. If Chaucer’s achievement was to elevate English poetry to a status rivaling that of poetry in Latin, Italian, and French, Trevisa’s was to prove English prose capable of conveying nuanced theological, political, and historical arguments. Trevisa’s known translations are of the apocryphal Gospel of Nicodemus; the Dialogus inter militem et clericum (“Dialogue between a knight and a cleric”), a defense of temporal power; Archbishop Richard FitzRalph’s antifraternal sermon, Defensio curatorum (“Defense of secular priests”); Aegidius Romanus’s De regimine principum (“On the rule of princes”); Ranulph Higden’s universal history, Polychronicon; and Bartholomaeus Anglicus’s encyclopedia, De proprietatibus rerum (“On the properties of things”). Early modern antiquarians believed that Trevisa translated the Bible into English, but hard evidence is lacking (see under Trevisa, the Bible, and the Wycliffite Movement). Under his own name, Trevisa wrote a Dialogue between a Lord and a Clerk on Translation and an Epistle to Lord Berkeley upon Translation as prefaces to his translation of the Polychronicon. He also composed one original poem, with which he prefaced his translation of Bartholomaeus Anglicus. No longer attributed to Trevisa are the Middle English version of the Revelationes of Pseudo-Methodius, a translation of Vegetius’s De re militari that accompanies De regimine principum in its sole manuscript witness, and Apocalypse texts in Anglo-Norman French painted on the ceiling and walls of Berkeley Chapel, Gloucestershire, England.
General Overviews
Two book-length studies (Beal 2012, Fowler 1995) treat Trevisa’s life and work comprehensively and in depth within their 14th-century intellectual, religious, social, and political contexts. Beal 2010, Beal 2004, Edwards 2004, Edwards 1984, and Perry 1925 are highly useful as introductions that direct the reader to scholarly consensus, with minimal speculation about Trevisa’s ecclesiastical and secular politics or his possible involvement in the Wycliffite movement. Edwards 1984 and Perry 1925 conveniently list manuscripts and editions of Trevisa’s works; see under Major Prose Translations: Ranulph Higden, Polychronicon. Aaron Jenkins Perry’s argument against attributing Pseudo-Methodius, Revelationes (Þe bygynnyng of þe world and þe ende of worldes), to Trevisa has met with general acceptance. Since 2009, Shensu University, Tokyo, has sponsored the International Centre for Polychronicon Studies, whose website features a bibliography of scholarship about Trevisa’s translation of the Polychronicon.
Beal, Jane. “John Trevisa (ca. 1342–1402).” In British Writers, Supplement 9. Edited by Jay Parini, 243–260. New York: Charles Scribner’s Sons, 2004.
Cautious, reliable, and brief introduction to Trevisa. Reconstructs Trevisa’s biography from early life in Cornwall to education at Exeter and Queen’s Colleges, Oxford, and service to the Berkeley family in Gloucestershire. Summarizes Trevisa’s original works and major translations (Polychronicon and De proprietatibus rerum) as well as his four minor translations and works erroneously ascribed to him. Concludes with a section on Trevisa’s worldview as inferred from his works.
Beal, Jane. “Trevisa, John.” In Encyclopedia of the Medieval Chronicle. Vol. 2, J–Z. Edited by Graeme Dunphy, 1446–1447. Leiden, The Netherlands, and Boston: Brill, 2010.
Brief statement of Trevisa’s career and aims as translator, with focus on the Polychronicon; includes list of manuscripts and early printed editions plus select bibliography of primary and secondary sources. For more information on manuscripts, see under Major Prose Translations: Ranulph Higden, Polychronicon.
Beal, Jane. John Trevisa and the English Polychronicon. Arizona Studies in the Middle Ages and Renaissance 37. Tempe: Arizona Center for Medieval and Renaissance Studies, 2012.
The only book-length study of Trevisa since Fowler 1995. Indulging less in biographical speculation than does David Fowler, Beal surveys Trevisa’s life and works, his biblical understanding of world history, his motives and rhetorical strategies for translating Latin learning into English, and the revisions made by William Caxton to Trevisa’s English Polychronicon in the first printed edition. Although it lacks an index, this is still the starting point for study of Trevisa.
Edwards, Anthony S. G. “John Trevisa.” In Middle English Prose: A Critical Guide to Major Authors and Genres. Edited by A. S. G. Edwards, 133–146. New Brunswick, NJ: Rutgers University Press, 1984.
Reviews scholarship up to 1984 within an overview of Trevisa’s life and works. Lists manuscripts of each of Trevisa’s works. Proposes directions for future work, such as completing a critical edition of the Polychronicon, determining the base texts for Trevisa’s translations, determining the chronology of Trevisa’s minor works, and ascertaining Trevisa’s possible involvement with the Wycliffites. This agenda remains unfulfilled. Bibliography of secondary literature to 1984, pp. 145–146.
Edwards, A. S. G. “John Trevisa.” In A Companion to Middle English Prose. Edited by A. S. G. Edwards, 117–126. Cambridge, UK: D. S. Brewer, 2004.
Overview comprising brief discussions of Trevisa’s biography, the roles of Oxford University and patron Thomas Berkeley in Trevisa’s career, and Trevisa’s aims as a translator. Sees Trevisa’s literary career as the result chiefly of Berkeley’s patronage; describes Trevisa’s translation principles as fidelity to the source, allowing syntactical changes only in word order and the voice of the verb, and permitting some elaboration for the sake of clarity.
Fowler, David C. The Life and Times of John Trevisa, Medieval Scholar. Seattle: University of Washington Press, 1995.
Fowler’s reconstruction of the contexts of Trevisa’s life and career in Cornwall, Oxford, and Berkeley Castle has inspired much subsequent research. It is now out of date, but Fowler’s biography was the first study of Trevisa after Perry 1925 to give serious attention to Trevisa’s minor works, and it is still an essential resource on the life of Trevisa.
International Centre for Polychronicon Studies.
Founded in 2009 at Shensu University, Tokyo, the International Centre for Polychronicon Studies declares its purpose as collecting microfilm, producing facsimiles, sponsoring lectures and seminars, and assembling publications about Trevisa’s translation of the Polychronicon. The convenient bibliography on its website must be checked for typos and supplemented by other bibliographical resources.
Perry, Aaron Jenkins, ed. Dialogus inter militem et clericum, Richard FitzRalph’s Sermon “Defensio curatorum” and Methodius: “Þe bygynnyng of þe world and þe ende of worldes.” Early English Text Society, Original Series 167. London: Oxford University Press, 1925.
Still the only modern edition of Dialogus and Defensio. Texts based on London, BL, Harley MS. 1900, correlated with four other manuscripts. Reconstructs Trevisa’s biography on the basis of surviving documents (pp. lv–lxxv); describes manuscripts and printed editions (pp. xv–liv); analyzes the language of the manuscripts (pp. cxxxiii–clvi). Perry’s argument for unattributing (Pseudo-)Methodius (pp. cxi–cxv) is universally accepted. Trevisa’s other works are discussed on pp. lxxv–cxxxii.
Users without a subscription are not able to see the full content on this page. Please subscribe or login.
How to Subscribe
Oxford Bibliographies Online is available by subscription and perpetual access to institutions. For more information or to contact an Oxford Sales Representative click here.
Article
- Aelred of Rievaulx
- Alcuin of York
- Alexander the Great
- Alfonso X
- Alfred the Great
- Alighieri, Dante
- Ancrene Wisse
- Angevin Dynasty
- Anglo-Norman Realm
- Anglo-Saxon Art
- Anglo-Saxon Law
- Anglo-Saxon Manuscript Illumination
- Anglo-Saxon Metalwork
- Anglo-Saxon Stone Sculpture
- Apocalypticism, Millennialism, and Messianism
- Archaeology of Southampton
- Armenian Art
- Art and Pilgrimage
- Art in Italy
- Art in the Visigothic Period
- Art of East Anglia
- Art of London and South-East England, Post-Conquest to Mon...
- Arthurian Romance
- Attila And The Huns
- Auchinleck Manuscript, The
- Audelay, John
- Augustodunensis, Honorius
- Bartholomaeus Anglicus
- Benedictines After 1100
- Benoît de Sainte Maure [113]
- Beowulf
- Bernard of Clairvaux
- Bernardus Silvestris
- Biblical Apocrypha
- Birgitta of Sweden and the Birgittine Order
- Boccaccio, Giovanni
- Boethius
- Bokenham, Osbern
- Book of Durrow
- Book of Kells
- Bozon, Nicholas
- Byzantine Art
- Byzantine Empire, Women in the
- Byzantine Manuscript Illumination
- Byzantine Monasticism
- Byzantine Science
- Calendars and Time (Christian)
- Cambridge Songs
- Canon Law
- Capgrave, John
- Carolingian Architecture
- Carolingian Era
- Carolingian Manuscript Illumination
- Carolingian Metalwork
- Carthusians and Eremitic Orders
- Cecco d’Ascoli (Francesco Stabili)
- Charlemagne
- Charles d’Orléans
- Charters of the British Isles
- Chaucer, Geoffrey
- Childhood
- Christian Mysticism
- Christianity and the Church in Post-Conquest England
- Christianity and the Church in Pre-Conquest England
- Christina of Markyate
- Chronicles (East Norse, Rhymed Chronicles)
- Chronicles of England and the British Isles
- Church of the Holy Sepulchre, The
- Cistercian Architecture
- Cistercians, The
- Clanvowe, John
- Classics in the Middle Ages
- Cloud of Unknowing and Related Texts, The
- Coins
- Constantinople and Byzantine Cities
- Contemporary Sagas (Bishops’ sagas and Sturlunga saga)
- Coptic Art
- Corpus Christi
- Councils and Synods of the Medieval Church
- Crusades, The
- Crusading Warfare
- Cynewulf
- da Barberino, Francesco
- da Lentini, Giacomo
- da Tempo, Antonio and da Sommacampagna, Gidino
- da Todi, Iacopone
- Dance
- Dance of Death
- d’Arezzo, Ristoro
- de la Sale, Antoine
- de’ Rossi, Nicolò
- de Santa Maria, Cantigas
- Death and Dying in England
- Decorative Arts
- delle Vigne, Pier
- Drama in Britain
- Dress
- Dutch Theater and Drama
- Early Italian Humanists
- Economic History
- Eddic Poetry
- El Cid
- England, Pre-Conquest
- England, Towns and Cities Medieval
- English Prosody
- Exeter Book, The
- Falconry
- Family Letters in 15th Century England
- Family Life in the Middle Ages
- Feast of Fools
- Female Monasticism to 1100
- Feudalism
- Findern Manuscript (CUL Ff.i.6), The
- Florence
- Folk Custom and Entertainment
- Food, Drink, and Diet
- Fornaldarsögur
- France
- French Drama
- French Monarchy, The
- French of England, The
- Friars
- Froissart, Jean
- Games and Recreations
- Gawain Poet, The
- German Drama
- Gerson, Jean
- Glass, Stained
- Gothic Art
- Gower, John
- Gregory VII
- Guilds
- Hagiography in the Byzantine Empire
- Handbooks for Confessors
- Hardyng, John
- Harley 2253 Manuscript, The
- Hiberno-Latin Literature
- High Crosses
- Hilton, Walter
- Historical Literature (Íslendingabók, Landnámabók)
- Hoccleve, Thomas
- Hood, Robin
- Hospitals in the Middle Ages
- Hundred Years War
- Hungary
- Hungary, Latin Literacy in Medieval
- Hungary, Libraries in Medieval
- Hymns
- Icons
- Illuminated Manuscripts
- Illustrated Beatus Manuscripts
- Insular Art
- Insular Manuscript Illumination
- Islamic Architecture (622–1500)
- Italian Cantari
- Italian Chronicles
- Italian Drama
- Italian Mural Decoration
- Italian Novella, The
- Italian Religious Writers of the Trecento
- Italian Rhetoricians
- Jewish Manuscript Illumination
- Jews and Judaism in Medieval Europe
- Julian of Norwich
- Junius Manuscript, The
- King Arthur
- Kings and Monarchy, 1066-1485, English
- Kings’ Sagas
- Knapwell, Richard
- Kraków
- Lancelot-Grail Cycle
- Late Medieval Preaching
- Latin and Vernacular Song in Medieval Italy
- Latin Arts of Poetry and Prose, Medieval
- Latino, Brunetto
- Learned and Scientific Literature
- Ælfric
- Libraries in England and Wales
- Lindisfarne Gospels
- Liturgical Drama
- Liturgical Processions
- Liturgy
- Lollards and John Wyclif, The
- Lombards in Italy
- London, Medieval
- Love, Nicholas
- Low Countries
- Lydgate, John
- Machaut, Guillaume de
- Magic in the Medieval Theater
- Maidstone, Richard
- Malmesbury, Aldhelm of
- Malory, Sir Thomas
- Manuscript Illumination, Ottonian
- Marie de France
- Markets and Fairs
- Masculinity and Male Sexuality in the Middle Ages
- Medicine
- Medieval Archaeology in Britain, Fifth to Eleventh Centuri...
- Medieval Archaeology in Britain, Twelfth to Fifteenth Cent...
- Medieval Bologna
- Medieval Chant for the Mass Ordinary
- Medieval English Universities
- Medieval Ivories
- Medieval Latin Commentaries on Classical Myth
- Medieval Music Theory
- Medieval Naples
- Medieval Optics
- Melusine
- Mendicant Orders and Late Medieval Art Patronage in Italy
- Middle English Language
- Middle English Lyric
- Mirk, John
- Mosaics in Italy
- Mozarabic Art
- Music and Liturgy for the Cult of Saints
- Music in Medieval Towns and Cities
- Music of the Troubadours and Trouvères
- Musical Instruments
- Necromancy, Theurgy, and Intermediary Beings
- Nibelungenlied, The
- Nicholas of Cusa
- Nordic Laws
- Norman (and Anglo-Norman) Manuscript Ilumination
- N-Town Plays
- Nuns and Abbesses
- Old English Hexateuch, The Illustrated
- Old English Language
- Old English Literature and Critical Theory
- Old English Religious Poetry
- Old Norse-Icelandic Sagas
- Ottonian Art
- Ovid in the Middle Ages
- Ovide moralisé, The
- Owl and the Nightingale, The
- Papacy, The Medieval
- Paris
- Peasants
- Persianate Dynastic Period/Later Caliphate (c. 800–1000)
- Peter Abelard
- Petrarch
- Philosophy in the Eastern Roman Empire
- Pictish Art
- Pizan, Christine de
- Plowman, Piers
- Poland
- Poland, Ethnic and Religious Groups in Medieval
- Pope Innocent III
- Post-Conquest England
- Pre-Carolingian Western European Kingdoms
- Prick of Conscience, The
- Pucci, Antonio
- Pythagoreanism in the Middle Ages
- Queens
- Rate Manuscript (Oxford, Bodleian Library, MS Ashmole 61)
- Regions of Medieval France
- Regular Canons
- Religious Instruction (Homilies, Sermons, etc.)
- Religious Lyrics
- Rímur
- Robert Mannyng of Brunne
- Rolle, Richard
- Roman Law
- Romances (East and West Norse)
- Romanesque Art
- Rus in Medieval Europe
- Ruthwell Cross
- Sagas and Tales of Icelanders
- Saint Plays and Miracles
- Saint-Denis
- Saints’ Lives
- Scandinavian Migration-Period Gold Bracteates
- Schools in Medieval Britain
- Scogan, Henry
- Seals
- Sermons
- Sex and Sexuality
- Ships and Seafaring
- Shirley, John
- Skaldic Poetry
- Slavery in Medieval Europe
- Snorra Edda
- Song of Roland, The
- Songs, Medieval
- Spain
- St. Dunstan, Archbishop of Canterbury
- St. Peter's in the Vatican (Rome)
- Syria and Palestine in the Byzantine Empire
- Textiles
- The Middle Ages, The Trojan War in
- The Notre Dame School and the Music of the Magnus liber or...
- The Use of Sarum and Other Liturgical Uses in Later Mediev...
- Theater and Performance, Iberian
- Thirteenth-Century Motets in France
- Thomas Aquinas
- Thomism
- Thornton, Robert
- Tomb Sculpture
- Travel and Travelers
- Trevisa, John
- Tropes
- Troubadours and Trouvères
- Troyes, Chrétien de
- Umayyad History
- Usk, Adam
- Usk, Thomas
- Venerable Bede, The
- Vercelli Book, The
- Vernon Manuscript, The
- Vikings
- Von Eschenbach, Wolfram
- Wace
- Wall Painting in Europe
- Wearmouth-Jarrow
- Welsh Literature
- William of Ockham
- Witchcraft
- Women's Life Cycles
- Wulfstan
- York Corpus Christi Plays
- York, Medieval