Eddic Poetry
- LAST MODIFIED: 29 November 2022
- DOI: 10.1093/obo/9780195396584-0311
- LAST MODIFIED: 29 November 2022
- DOI: 10.1093/obo/9780195396584-0311
Introduction
Rather than being a genre in its own right, “Eddic poetry” is essentially a body of poetry dealing with Old Nordic mythology and Old Nordic/Germanic heroes that was preserved for the main part in two Icelandic manuscripts from the late thirteenth and early fourteenth centuries: the Codex Regius (GKS 2365 4to: c. 1270) and the AM 748 IA 4to (c. 1300) (see Manuscripts of the Eddic Poems). The term is also used for certain other mythological poems from the same period that have been composed in the main two meters used in these manuscripts (see Meters of the Eddic Poems), most particularly Hyndluljóð, contained in the Flateyjarbók manuscript (GKS 1005 fol.; late 14th century); and Rígsþula, contained in the Ormsbók manuscript (Codex Wormianus: AM 242 fol.; mid-14th century). Originally believed to have been preserved intact in the oral tradition from pagan times (the official Christianization of Iceland and Norway occurring c. 1000), the poems are now seen as having originated at different times (see Dating of the Eddic Poems), some viewed as having a potentially pre-Christian background while others appear to be more recent (in part or as a whole). Whatever the case, it seems evident that the Icelandic scholar Snorri Sturluson (b. 1119–d. 1241), who composed the so-called Prose Edda (also referred to as Snorra Edda) in c. 1220, using several Eddic poems as sources on pre-Christian Nordic mythology, viewed these works as having been ancient. In spite of various discussions about their exact place of origin, it is evident that many of the Eddic poems (which were referred to under this name by later scholars in order to differentiate them from Snorri’s Prose Edda) have their roots outside Iceland in the Nordic and Germanic countries, the narratives of the heroic Eddic poems containing memories that appear to go back several hundred years. The main source of the Eddic poems, the Codex Regius, evidently written and edited by Christian Icelanders, is divided into two parts, the first dealing with mythology, including the creation and ending of the world in Vǫluspá (the Prophecy of the Seeress), followed by various poems in different meters dealing with the gods Óðinn (Odin/Wotan), Freyr (Frey), Þórr (Thor), and Loki, while the second contains material dealing with the lives of the heroes, Helgi Hjǫrvarðsson, Helgi Hundingsbani, and then Sigurðr Fáfnisbani (the killer of the serpent Fáfnir) and his family. For logical reasons, in the following bibliography, emphasis is placed on more recent scholarship, although several earlier works that are still relevant are also mentioned.
General Overviews
There are naturally numerous general introductions to the Eddic poems, most forming part of wider overviews of Viking-Age culture (Clunies Ross 2005, Gunnell 2005, Lindow 2020), or Icelandic literature (see, for example, Vésteinn Ólason 1992 [in Icelandic]), or taking the shape of introductions to editions or translations of Eddic poetry (as in Gísli Sigurðsson 1989 and Gísli Sigurðsson 1998 [both in Icelandic], Orchard 2011, and Larrington 2014). Alongside these, English readers approaching the Eddic poems for the first time are recommended to read the relevant section of Jónas Kristjánsson 1988, which places Eddic poetry in the wider context of Old Icelandic literature as a whole. One of the best overviews (outside the detailed analyses introduced in Detailed Commentaries on the Eddic Poems) nonetheless remains that given in Harris 1985. All of the above provide useful basic insights into the nature of the poems, their subject matter, their meters, their age, their cultural contexts, and the manuscripts that contain them.
Clunies Ross, Margaret. A History of Old Norse Poetry and Poetics. Cambridge, UK: D. S. Brewer, 2005.
Like Jónas Kristjánsson’s Edda and Saga, this work focuses essentially on Eddic poetry as literature, underlining its wider context within Old Nordic poetry as a whole. On Eddic poetry, see pp. 6–13.
Gísli Sigurðsson. “Eddukvæði.” In Íslensk þjóðmenning. Vol. 6, Munnmenntir og bókmenning. Edited by Frosti F. Jóhansson, 293–314. Reykjavík: Þjóðsaga, 1989.
Part of an incomplete series of works that were planned to deal with Icelandic folk culture as a whole, past and present, this chapter places Eddic poetry first and foremost within the context of other forms of Icelandic folk literature.
Gísli Sigurðsson. “Inngangur.” In Eddukvæði. Edited by Gísli Sigurðsson, ix–lxiii. Reykjavík: Mál og menning, 1998.
Particularly striking about this introduction is the emphasis placed on the close connections that appear to have existed between Eddic poetry and the oral tradition (see also Eddic Poems and the Oral Tradition) and even pre-Christian ritual, while also showing awareness of potential Christian influences and those introduced by the growing literary culture of Iceland.
Gunnell, Terry. “Eddic Poetry.” In A Companion to Old Icelandic Literature and Culture. Edited by Rory McTurk, 82–100. Oxford: Blackwell, 2005.
Probably to the first general overview to follow up Harris (in Harris 1985) in underlining the importance of considering not only the role of oral tradition but also that of performance and performance contexts.
Harris, Joseph. “Eddic Poetry.” In Old Norse-Icelandic Literature: A Critical Guide. Edited by Carol J. Clover and John Lindow, 67–156. Islandica 45. Ithaca, NY: Cornell University Press, 1985.
Probably still one of the best overviews available in English (outside the detailed commentaries). In addition to containing information about the nature and background of the poems, it also reviews the main emphases in Eddic research during the years between 1950 and 1980, and not least the arrival of considerations about the role of orality in shaping the poems.
Jónas Kristjánsson. Eddas and Sagas: Iceland’s Medieval Literature. Translated by Peter Foote. Reykjavík: Hið íslenska bókmenntafélag, 1988.
Written by one of the leading experts on the Eddic poems in recent decades, this work is designed as a general introduction to Old Icelandic literature as a whole, and thus provides valuable context for the Eddic poems, considering them as essentially literary works. On Eddic poetry, see pp. 25–83.
Larrington, Carolyne, ed. and trans. “Introduction.” In The Poetic Edda. Rev ed. Edited by Carolyne Larrington, ix–xxvi. Oxford: Oxford University Press, 2014.
The introduction to Larrington’s revised translation of the Eddic poems, this also pays some brief but valuable attention to their influence on modern literature and media.
Lindow, John. “Written Sources.” In The Pre-Christian Religions of the North: History and Structures. Vol. 1. Edited by Jens Peter Schjødt, John Lindow, and Anders Andrén, 63–101. Turnhout, Belgium: Brepols, 2020.
Appearing near the start of the first part of the groundbreaking four-volume international work on pre-Christian religion in northern Europe, this section naturally plays close attention to the role of the extant Eddic poems as sources on pre-Christian belief. On Eddic poetry, see pp. 67–73.
Orchard, Andy. “Introduction.” In The Elder Edda: A Book of Viking Lore. Translated by Andy Orchard, xiv–xxxv. London: Penguin, 2011.
As with Larrington 2014, this introduction to Orchard’s translation of the Eddic poems also contains some information about the reception of the poems in later times.
Vésteinn Ólason. “Eddukvæði.” In Íslensk bókmenntasaga I. Edited by Guðrún Nordal, Sverrir Tómasson, and Vésteinn Ólason, 73–187. Reykjavík: Mál og menning, 1992.
Forming part of a comparatively recent history of Icelandic literature, this chapter by another leading expert on the Eddic poems forms a taster for the much longer introduction to the new edition of the Eddic poems edited by him and Jónas Kristjánsson (Eddukvæði 2014, cited under The “Original Texts” of the Eddic Poems). Here the poems are placed within the context of Icelandic literature throughout history.
Users without a subscription are not able to see the full content on this page. Please subscribe or login.
How to Subscribe
Oxford Bibliographies Online is available by subscription and perpetual access to institutions. For more information or to contact an Oxford Sales Representative click here.
Article
- Aelred of Rievaulx
- Alcuin of York
- Alexander the Great
- Alfonso X
- Alfred the Great
- Alighieri, Dante
- Angevin Dynasty
- Anglo-Norman Realm
- Anglo-Saxon Art
- Anglo-Saxon Law
- Anglo-Saxon Manuscript Illumination
- Anglo-Saxon Metalwork
- Anglo-Saxon Stone Sculpture
- Apocalypticism, Millennialism, and Messianism
- Archaeology of Southampton
- Armenian Art
- Art and Pilgrimage
- Art in Italy
- Art in the Visigothic Period
- Art of East Anglia
- Art of London and South-East England, Post-Conquest to Mon...
- Arthurian Romance
- Attila And The Huns
- Auchinleck Manuscript, The
- Audelay, John
- Augustodunensis, Honorius
- Bartholomaeus Anglicus
- Benedictines After 1100
- Benoît de Sainte Maure [113]
- Beowulf
- Bernard of Clairvaux
- Bernardus Silvestris
- Biblical Apocrypha
- Birgitta of Sweden and the Birgittine Order
- Boccaccio, Giovanni
- Boethius
- Bokenham, Osbern
- Book of Durrow
- Book of Kells
- Bozon, Nicholas
- Byzantine Art
- Byzantine Manuscript Illumination
- Calendars and Time (Christian)
- Cambridge Songs
- Canon Law
- Capgrave, John
- Carolingian Architecture
- Carolingian Era
- Carolingian Manuscript Illumination
- Carolingian Metalwork
- Carthusians and Eremitic Orders
- Cecco d’Ascoli (Francesco Stabili)
- Charlemagne
- Charles d’Orléans
- Charters of the British Isles
- Chaucer, Geoffrey
- Childhood
- Christian Mysticism
- Christianity and the Church in Post-Conquest England
- Christianity and the Church in Pre-Conquest England
- Christina of Markyate
- Chronicles of England and the British Isles
- Church of the Holy Sepulchre, The
- Cistercian Architecture
- Cistercians, The
- Clanvowe, John
- Classics in the Middle Ages
- Cloud of Unknowing and Related Texts, The
- Coins
- Contemporary Sagas (Bishops’ sagas and Sturlunga saga)
- Coptic Art
- Corpus Christi
- Councils and Synods of the Medieval Church
- Crusades, The
- Crusading Warfare
- Cynewulf
- da Barberino, Francesco
- da Lentini, Giacomo
- da Tempo, Antonio and da Sommacampagna, Gidino
- da Todi, Iacopone
- Dance
- Dance of Death
- d’Arezzo, Ristoro
- de la Sale, Antoine
- de’ Rossi, Nicolò
- de Santa Maria, Cantigas
- Death and Dying in England
- Decorative Arts
- delle Vigne, Pier
- Drama in Britain
- Dress
- Dutch Theater and Drama
- Early Italian Humanists
- Economic History
- Eddic Poetry
- El Cid
- England, Pre-Conquest
- England, Towns and Cities Medieval
- English Prosody
- Exeter Book, The
- Falconry
- Family Letters in 15th Century England
- Family Life in the Middle Ages
- Feast of Fools
- Female Monasticism to 1100
- Feudalism
- Findern Manuscript (CUL Ff.i.6), The
- Florence
- Folk Custom and Entertainment
- Food, Drink, and Diet
- Fornaldarsögur
- France
- French Drama
- French Monarchy, The
- French of England, The
- Friars
- Froissart, Jean
- Games and Recreations
- Gawain Poet, The
- German Drama
- Gerson, Jean
- Glass, Stained
- Gothic Art
- Gower, John
- Gregory VII
- Guilds
- Handbooks for Confessors
- Hardyng, John
- Harley 2253 Manuscript, The
- Hiberno-Latin Literature
- High Crosses
- Hilton, Walter
- Historical Literature (Íslendingabók, Landnámabók)
- Hoccleve, Thomas
- Hood, Robin
- Hospitals in the Middle Ages
- Hundred Years War
- Hungary
- Hungary, Latin Literacy in Medieval
- Hungary, Libraries in Medieval
- Hymns
- Icons
- Illuminated Manuscripts
- Illustrated Beatus Manuscripts
- Insular Art
- Insular Manuscript Illumination
- Islamic Architecture (622–1500)
- Italian Cantari
- Italian Chronicles
- Italian Drama
- Italian Mural Decoration
- Italian Novella, The
- Italian Religious Writers of the Trecento
- Italian Rhetoricians
- Jewish Manuscript Illumination
- Jews and Judaism in Medieval Europe
- Julian of Norwich
- Junius Manuscript, The
- King Arthur
- Kings and Monarchy, 1066-1485, English
- Kings’ Sagas
- Knapwell, Richard
- Kraków
- Lancelot-Grail Cycle
- Late Medieval Preaching
- Latin and Vernacular Song in Medieval Italy
- Latin Arts of Poetry and Prose, Medieval
- Latino, Brunetto
- Ælfric
- Libraries in England and Wales
- Lindisfarne Gospels
- Liturgical Drama
- Liturgical Processions
- Liturgy
- Lollards and John Wyclif, The
- Lombards in Italy
- London, Medieval
- Love, Nicholas
- Low Countries
- Lydgate, John
- Machaut, Guillaume de
- Magic in the Medieval Theater
- Maidstone, Richard
- Malmesbury, Aldhelm of
- Malory, Sir Thomas
- Manuscript Illumination, Ottonian
- Marie de France
- Markets and Fairs
- Masculinity and Male Sexuality in the Middle Ages
- Medicine
- Medieval Archaeology in Britain, Fifth to Eleventh Centuri...
- Medieval Archaeology in Britain, Twelfth to Fifteenth Cent...
- Medieval Bologna
- Medieval Chant for the Mass Ordinary
- Medieval English Universities
- Medieval Ivories
- Medieval Latin Commentaries on Classical Myth
- Medieval Music Theory
- Medieval Naples
- Medieval Optics
- Melusine
- Mendicant Orders and Late Medieval Art Patronage in Italy
- Middle English Language
- Mirk, John
- Mosaics in Italy
- Mozarabic Art
- Music and Liturgy for the Cult of Saints
- Music in Medieval Towns and Cities
- Music of the Troubadours and Trouvères
- Musical Instruments
- Necromancy, Theurgy, and Intermediary Beings
- Nibelungenlied, The
- Nicholas of Cusa
- Norman (and Anglo-Norman) Manuscript Ilumination
- N-Town Plays
- Nuns and Abbesses
- Old English Hexateuch, The Illustrated
- Old English Language
- Old English Literature and Critical Theory
- Old English Religious Poetry
- Old Norse-Icelandic Sagas
- Ottonian Art
- Ovid in the Middle Ages
- Ovide moralisé, The
- Owl and the Nightingale, The
- Papacy, The Medieval
- Paris
- Peasants
- Peter Abelard
- Petrarch
- Pictish Art
- Pizan, Christine de
- Plowman, Piers
- Poland
- Poland, Ethnic and Religious Groups in Medieval
- Pope Innocent III
- Post-Conquest England
- Pre-Carolingian Western European Kingdoms
- Prick of Conscience, The
- Pucci, Antonio
- Queens
- Rate Manuscript (Oxford, Bodleian Library, MS Ashmole 61)
- Regions of Medieval France
- Regular Canons
- Religious Instruction (Homilies, Sermons, etc.)
- Religious Lyrics
- Rímur
- Robert Mannyng of Brunne
- Rolle, Richard
- Roman Law
- Romances (East and West Norse)
- Romanesque Art
- Ruthwell Cross
- Sagas and Tales of Icelanders
- Saint Plays and Miracles
- Saint-Denis
- Scandinavian Migration-Period Gold Bracteates
- Schools in Medieval Britain
- Scogan, Henry
- Seals
- Sermons
- Sex and Sexuality
- Ships and Seafaring
- Shirley, John
- Skaldic Poetry
- Slavery in Medieval Europe
- Song of Roland, The
- Songs, Medieval
- Spain
- St. Dunstan, Archbishop of Canterbury
- St. Peter's in the Vatican (Rome)
- Textiles
- The Middle Ages, The Trojan War in
- The Use of Sarum and Other Liturgical Uses in Later Mediev...
- Theater and Performance, Iberian
- Thirteenth-Century Motets in France
- Thomas Aquinas
- Thomism
- Thornton, Robert
- Tomb Sculpture
- Travel and Travelers
- Trevisa, John
- Tropes
- Troubadours and Trouvères
- Troyes, Chrétien de
- Usk, Adam
- Usk, Thomas
- Venerable Bede, The
- Vercelli Book, The
- Vernon Manuscript, The
- Vikings
- Von Eschenbach, Wolfram
- Wace
- Wall Painting in Europe
- Wearmouth-Jarrow
- Welsh Literature
- William of Ockham
- Witchcraft
- Women's Life Cycles
- Wulfstan
- York Corpus Christi Plays
- York, Medieval