Julia Augusta Webster
- LAST REVIEWED: 24 July 2018
- LAST MODIFIED: 15 January 2019
- DOI: 10.1093/obo/9780199799558-0056
- LAST REVIEWED: 24 July 2018
- LAST MODIFIED: 15 January 2019
- DOI: 10.1093/obo/9780199799558-0056
Introduction
Born in 1837, Webster was a prolific writer in every genre, a self-educated classical scholar, a professional poetry reviewer, an activist, and an educator. She began her literary career as a young girl and had published two volumes of poetry, two well-received translations of Aeschylus and Euripides, and a three-volume novel by the time she became a very active member of the London Suffrage Society in the 1860s. During the 1870s Webster continued to support suffrage for women and the women’s movement in general, as well as liberalism and individualism, in a series of essays that she wrote for the Examiner and later published as A Housewife’s Opinions. Beginning in 1879, she served two terms on the London School Board, with the second term concurrent with her position as one of the main poetry reviewers for the Athenaeum. She consistently published poetry and drama in these years, as well as a children’s novella. Webster was married and had one daughter. In the 1880s she hosted literary salons and was one of the most respected literary, political, and social figures in London until she died of cancer in 1894. Webster disappeared from view immediately after her death, but critics are now seriously exploring the rich diversity of her work. The recent increased interest in Julia Augusta Webster bodes well for a more complete understanding of the significance of Webster’s work as a writer and professional critic, as well as her effectiveness as an activist and political figure.
Biography
The only biographically focused work to date is Patricia Rigg’s book. Rigg 2009 makes use of archived letters and family records in the United Kingdom and the United States to construct as comprehensive an account of Webster’s early family connections, marriage, motherhood, activism, and professional reviewing work as archival materials allow.
Rigg, Patricia. Julia Augusta Webster: Victorian Aestheticism and the Woman Writer. Madison, NJ: Fairleigh Dickinson University Press, 2009.
This biographically informed book traces Webster’s life and literary output chronologically, placing her developing aestheticism in context with her work for women’s suffrage, her tenure as a member of the London School Board, and her professional reviews.
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Article
- Empire
- Actresses
- Aestheticism
- Affect
- Allen, Grant
- Arnold, Matthew
- Atheism and Secularization
- Autobiography
- Barnes, William
- Barrett Browning, Elizabeth
- Blind, Mathilde
- Braddon, Mary Elizabeth
- Britain in Latin America
- Brontë, Anne
- Brontë, Charlotte
- Brontë, Emily
- Broughton, Rhoda
- Browning, Robert
- Burton, Richard Francis
- Butler, Samuel
- Caird, Mona
- Carlyle, Thomas
- Catholicism and Anti-Catholicism
- Chartism
- Childhood in Victorian Literature
- Children's Literature
- Christian Church, The
- City, The
- Class
- Clough, Arthur Hugh
- Cobbe, Frances Power
- Collins, Wilkie
- Conan Doyle, Sir Arthur
- Conrad, Joseph
- Contagion
- Copyright
- Corelli, Marie
- Crime and Punishment
- Culture, Visual
- Darwinism
- Death
- Decadence
- Dickens, Charles
- Disraeli, Benjamin
- Domesticity
- Dowson, Ernest
- Du Maurier, George
- Ecology in Victorian Literature
- Education
- Eliot, George
- Epic Tradition, The
- Eugene Lee-Hamilton
- Evangelicalism
- Fairy Tales and Folklore
- Feminism
- Fiction, Detective
- Fiction, Sensation
- Field, Michael
- Fin de Siècle
- FitzGerald, Edward
- Flora Annie Steel
- Food and Drink
- France
- Gardens
- Gaskell, Elizabeth
- Gender
- Gosse, Edmund
- Haggard, H. Rider
- Hardy, Thomas
- Historical Novel, The
- Homosexuality
- Hopkins, Gerard Manley
- Illustration
- Ireland
- James, Henry
- Journalism
- Keble, John
- Kingsley, Charles
- Kipling, Rudyard
- Lang, Andrew
- Lear, Edward
- Lee, Vernon
- Levy, Amy
- Life Writing
- Literacy
- Macaulay, Thomas Babington
- Machines
- Maritime
- Marryat, Florence
- Martineau, Harriet
- Masculinity
- Material Culture
- Mayhew, Henry and the Mayhew Brothers
- Medicine
- Melodrama
- Mill, John Stuart
- Mobility
- Monologue, Dramatic
- Morris, William
- Museums
- Myth
- National Identity
- Neo-Victorianism
- New Woman, The
- Newgate Novel, The
- Newman, John Henry
- Oliphant, Margaret
- Orientalism
- Ouida
- Oxford Movement, The
- Pantomime
- Pater, Walter Horatio
- Periodical Press, The
- Psychology
- Publishing
- Race
- Raphaelitism, Pre-
- Reade, Charles
- Realism
- Reynolds, G. W. M.
- Robins, Elizabeth
- Rossetti, Christina
- Rossetti, Dante Gabriel
- Ruskin, John
- Rymer, James Malcolm
- Satire
- Schreiner, Olive
- Science
- Seacole, Mary
- Sentimentality
- Serialization
- Sexual Violence
- Sexuality
- Silver Fork Novel (Fashionable Novel)
- Sincerity
- Slavery and Antislavery
- Slum Fiction
- Socialism and Labor
- Social-Problem Novel
- Sonnet
- Stevenson, Robert Louis
- Stoker, Bram
- Supernatural, The
- Swinburne, A.C.
- Symonds, John Addington
- Technology
- Tennyson, Alfred
- Thackeray, William Makepeace
- The Body
- The Ghost Story
- Tonna, Charlotte Elizabeth
- Travel Writing
- Trollope, Anthony
- Trollope, Frances
- Tyndall, John
- Unitarianism
- Verse, Devotional
- Ward, Mary
- Webster, Julia Augusta
- Wells, H. G.
- Wilde, Oscar
- Wood, Ellen (Mrs. Henry Wood)
- Work, The Gospel of
- Yonge, Charlotte