Technology
- LAST REVIEWED: 02 March 2011
- LAST MODIFIED: 02 March 2011
- DOI: 10.1093/obo/9780199799558-0074
- LAST REVIEWED: 02 March 2011
- LAST MODIFIED: 02 March 2011
- DOI: 10.1093/obo/9780199799558-0074
Introduction
The Victorian era was a remarkably fertile period for the adoption, expansion, and transformation of technology. Photography, telegraphy, telephony, steamships, railways, electric lighting, and industrial control engineering are only a few of the many complex systems and processes developed during the era. While this technical ferment defies easy classification, historians have traditionally placed it in the overlap between the first and second Industrial Revolutions, defined respectively by the growth of steam power in the late 18th century and by emerging electrical and communications technology in the later 19th century. In recent decades, however, many critics have proposed multiple histories of Victorian technology that challenge triumphalist accounts of inevitable progress and modernization. These new approaches focus on forgotten innovations and on different models of cultural influence and transformation, based on reciprocal relations among science, technology, art, literature, and popular discourse. Moreover, the current Information Revolution has also prompted renewed attention to 19th-century media and information technology, sometimes through postmodern fantasies of alternate (or “neo-Victorian”) history. As these new approaches show, technology inspired and provoked Victorians both as a material reality and as a literary and cultural symbol. It provided artists and writers with absorbing models for narrative form, visual perception, human relations, spirituality, and scientific objectivity. At the same time, it fuelled energetic debate surrounding its role in culture, labor, aesthetics, labor, psychology, sexuality, and the natural world. This entry concentrates on technology in both Victorian literature and history, as a form of scientific practice supported through mechanical and artifactual systems, processes, and relations. Major forms of technology treated here include industrial, transport, engineering, electric, communication, visual, sound, military, medical, agricultural, and information, although considerable overlap exists among these categories.
General Overviews
These overviews of Victorian technology fall into two categories: historical approaches and literary approaches, which treat technology more explicitly in relation to language, literary works, and cultural representation.
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- Empire
- Actresses
- Adventure Literature
- Aestheticism
- Affect
- Allen, Grant
- Arnold, Matthew
- Arts and Crafts Movement
- Atheism and Secularization
- Australia
- Autobiography
- Barnes, William
- Barrett Browning, Elizabeth
- Blind, Mathilde
- Boucicault, Dion
- Braddon, Mary Elizabeth
- Britain in Latin America
- Brontë, Anne
- Brontë, Charlotte
- Brontë, Emily
- Broughton, Rhoda
- Browning, Robert
- Burton, Richard Francis
- Butler, Samuel
- Caird, Mona
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- Chartism
- Childhood in Victorian Literature
- Children's Literature
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- City, The
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- Cobbe, Frances Power
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- Du Maurier, George
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- Eliot, George
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- Epic Tradition, The
- Eugene Lee-Hamilton
- Evangelicalism
- Fairy Tales and Folklore
- Feminism
- Fiction, Detective
- Fiction, Sensation
- Field, Michael
- Fin de Siècle
- FitzGerald, Edward
- Flora Annie Steel
- Food and Drink
- France
- Gardens
- Gaskell, Elizabeth
- Gender
- Geology
- Gosse, Edmund
- Great Exhibition, The, 1851
- Haggard, H. Rider
- Hardy, Thomas
- Historical Novel, The
- Homosexuality
- Hopkins, Gerard Manley
- Illustration
- Ireland
- James, Henry
- Journalism
- Keble, John
- Kingsley, Charles
- Kipling, Rudyard
- Lang, Andrew
- Le Fanu, Joseph Sheridan
- Lear, Edward
- Lee, Vernon
- Levy, Amy
- Life Writing
- Literacy
- Livingstone, David
- Macaulay, Thomas Babington
- Machines
- Maritime
- Marryat, Florence
- Martineau, Harriet
- Masculinity
- Material Culture
- Mayhew, Henry and the Mayhew Brothers
- Medicine
- Melodrama
- Meredith, George
- Mill, John Stuart
- Missions and the British and Irish Churches: 1701–c.1900
- Mobility
- Monologue, Dramatic
- Morris, William
- Museums
- Myth and Victorian Literature
- National Identity
- Neo-Victorianism
- New Woman, The
- Newgate Novel, The
- Newman, John Henry
- Oliphant, Margaret
- Orientalism
- Ouida
- Owen, Richard (Victorian Naturalist)
- Oxford Movement, The
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- Pater, Walter Horatio
- Periodical Press, The
- Photography
- Psychology
- Publishing
- Race
- Raphaelitism, Pre-
- Reade, Charles
- Reading Practices
- Realism
- Reynolds, G. W. M.
- Rhymers' Club
- Robins, Elizabeth
- Rossetti, Christina
- Rossetti, Dante Gabriel
- Ruskin, John
- Rutherford, Mark (William Hale White)
- Rymer, James Malcolm
- Satire
- Schreiner, Olive
- Science
- Science Fiction
- Scotland and Scottish Literature
- Seacole, Mary
- Sentimentality
- Serialization
- Sexual Reproduction
- Sexual Violence
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- Silver Fork Novel (Fashionable Novel)
- Sincerity
- Slavery and Antislavery
- Slum Fiction
- Slumming
- Socialism and Labor
- Social-Problem Novel
- Sonnet
- Stevenson, Robert Louis
- Stoker, Bram
- Supernatural, The
- Swinburne, A.C.
- Symonds, John Addington
- Technologies of Publishing
- Technology
- Tennyson, Alfred
- Thackeray, William Makepeace
- The Body
- The Ghost Story
- Thomson, James (B.V.)
- Tonna, Charlotte Elizabeth
- Travel Writing
- Trollope, Anthony
- Trollope, Frances
- Tyndall, John
- Unitarianism
- Verse, Devotional
- Victorian Literature and Translation
- Ward, Mary
- Webster, Julia Augusta
- Wells, H. G.
- Whiteness in Victorian Literature
- Wilde, Oscar
- Women's Education
- Wood, Ellen (Mrs. Henry Wood)
- Work, The Gospel of
- Writing Practices
- Yonge, Charlotte
- Zangwill, Israel