Geoffrey Chaucer
- LAST REVIEWED: 26 July 2018
- LAST MODIFIED: 30 August 2016
- DOI: 10.1093/obo/9780199846719-0012
- LAST REVIEWED: 26 July 2018
- LAST MODIFIED: 30 August 2016
- DOI: 10.1093/obo/9780199846719-0012
Introduction
In the Prologue to what is probably the first work in English about a scientific instrument, Geoffrey Chaucer (b. c. 1340–d. c. 1400) explains to his ten-year-old son, Lewis, that the “conclusions,” or mathematical demonstrations, expounded here in the mother tongue should suffice “as wel as suficeth to these noble clerkes Grekes these same conclusions in Grek; and to Arabiens in Arabik, and to Jewes in Ebrew, and to Latyn folk in Latyn” (A Treatise on the Astrolabe). This observation reflects a conviction implicit throughout Chaucer’s literary endeavor: that the English language was no less worthy a vessel for great ideas and literature than any other. Unlike his friend John Gower, Chaucer’s extant works are all in English; yet, unlike his contemporary William Langland, his work was profoundly shaped by engagement with European vernacular writers, including French writers such as Machaut, Froissart, and the authors of the Roman de la Rose, as well as Dante, Petrarch, and Boccaccio, the Italian Trecento figures whose writings were at the forefront of a transformative debate about the uses of the vernacular. Indeed, to understand Chaucer’s remarkable literary achievement, it is essential to understand his literary output as the product of a profound engagement with a vast array of sources, including classical and early medieval works in Latin, French poetry of the 12th and 13th centuries, and works of the early Italian Renaissance, as well as a sizable body of English vernacular literature. While Hoccleve would later laud him as equal to Cicero in rhetoric, Aristotle in philosophy, and Virgil in poetry, Chaucer’s literary career was characterized by a series of poses that both denied and asserted his authority: in the early love-visions (c. 1368–c. 1387, The Book of the Duchess, The House of Fame, The Parliament of Fowls, and The Legend of Good Women), he is the hapless narrator of dreams he can scarcely understand; in his masterpiece Criticism of Individual Works: Troilus and Criseyde (c. 1382–1386), he is the humble translator of a (fictional) Latin source; in Criticism of Individual Works: The Canterbury Tales (c. 1388–1400) he is the mere compiler of stories he has heard while on pilgrimage. The extraordinary generic and stylistic variety of this last work has become his signature: it would be hard to name another writer who writes so successfully in such radically distinct genres as romance, bawdy fabliau, hagiography, exemplum, tragedy, satire, and penitential treatise. Poets of the 15th-century such as Thomas Hoccleve, John Lydgate, and Robert Henryson recognized that he paved the way for later writers in English: Hoccleve effusively praised him as “the firste fyndere of oure faire langage.” Many of the writers now buried or commemorated near Chaucer in “Poets’ Corner” at Westminster Abbey were demonstrably influenced by his works, including Edmund Spenser, William Shakespeare, William Wordsworth, Charles Dickens, and T. S. Eliot, while certainly no writer has a better claim to John Dryden’s accolade of Chaucer as the “father of English poetry.”
Chaucer’s Life
Many records of Chaucer’s life survive, but none refers to his career as a poet: these records, apart from the small number not then discovered, are presented in Crow and Olson 1966. Good summaries of Chaucer’s life can be found in The Riverside Chaucer (Benson 1987 [cited under Complete Works]), or in Gray 2012. A number of attempts have been made to produce biographies of Chaucer, of which the most successful are Pearsall 1992 and Strohm 2014.
Crow, Martin M., and Clair C. Olson, eds. Chaucer Life-Records. Oxford: Clarendon, 1966.
The definitive resource for records of Chaucer’s life, providing transcriptions of all key documents in their original languages (Latin and French).
Gray, Douglas. “Chaucer, Geoffrey (c. 1340–1400).” In Oxford Dictionary of National Biography. Oxford: Oxford University Press, 2012.
Reliable overview of Chaucer’s life, offering a detailed account of his professional and poetic careers and a brief discussion of the canon and reception of his works.
Pearsall, Derek. The Life of Geoffrey Chaucer: A Critical Biography. Oxford: Blackwell, 1992.
A highly respected biography that, while never claiming to fully synthesize the life and poetry, nonetheless traces a plausible account of the personal and professional frameworks in which Chaucer produced his key works.
Strohm, Paul. The Poet’s Tale: Chaucer and the Year That Made The Canterbury Tales. London: Profile Books, 2014.
This lively and erudite biography ranges across Chaucer’s entire life, but it focuses on 1386 as a year of crisis that was pivotal to his personal and professional life and to his career as a poet. Accessible to a general readership but rewarding even for specialists.
Users without a subscription are not able to see the full content on this page. Please subscribe or login.
How to Subscribe
Oxford Bibliographies Online is available by subscription and perpetual access to institutions. For more information or to contact an Oxford Sales Representative click here.
Article
- 1916
- Abbey Theatre
- Adapting Shakespeare
- Alfred (King)
- Alliterative Verse
- Ancrene Wisse, and the Katherine and Wooing Groups
- Anglo-Irish Poetry, 1500–1800
- Anglo-Saxon Hagiography
- Arthurian Literature
- Austen, Jane
- Ballard, J. G.
- Barnes, Julian
- Beckett, Samuel
- Behn, Aphra
- Biblical Literature
- Biography and Autobiography
- Blake, William
- Bloomsbury Group
- Bowen, Elizabeth
- Brontë, Anne
- Browne, Thomas
- Burgess, Anthony
- Burney, Frances
- Burns, Robert
- Butler, Hubert
- Byron, Lord
- Carroll, Lewis
- Carter, Angela
- Catholic Literature
- Celtic and Irish Revival
- Censorship
- Chatterton, Thomas
- Chaucer, Geoffrey
- Chorographical and Landscape Writing
- Coffeehouse
- Congreve, William
- Conrad, Joseph
- Crime Fiction
- Defoe, Daniel
- Diaries
- Dickens, Charles
- Donne, John
- Dracula
- Drama, Northern Irish
- Drayton, Michael
- Early Modern Prose, 1500-1650
- Eighteenth-Century Novel
- Eliot, George
- English Bible and Literature, The
- English Civil War / War of the Three Kingdoms
- English Reformation Literature
- Epistolatory Novel, The
- Erotic, Obscene, and Pornographic Writing, 1660-1900
- Everyman
- Famine
- Ferrier, Susan
- Fielding, Henry
- Ford, Ford Madox
- French Revolution, 1789–1799
- Friel, Brian
- Gascoigne, George
- Gay, John
- Globe Theatre
- Golding, William
- Goldsmith, Oliver
- Gosse, Edmund
- Gower, John
- Gray, Thomas
- Gunpowder Plot (1605), The
- Hardy, Thomas
- Heaney, Seamus
- Henry Howard, Earl of Surrey
- Herbert, George
- Highlands, The
- Hogg, James
- Holmes, Sherlock
- Hopkins, Gerard Manley
- Hurd, Richard
- Ireland and Memory Studies
- Irish Crime Fiction
- Irish Famine, Writing of the
- Irish Gothic Tradition
- Irish Life Writing
- Irish Modernism
- Irish Poetry of the First World War
- Irish Short Story, The
- Irish Travel Writing
- Johnson, B. S.
- Johnson, Samuel
- Jones, David
- Jonson, Ben
- Joyce, James
- Keats, John
- Kelman, James
- Kempe, Margery
- Lamb, Charles and Mary
- Larkin, Philip
- Law, Medieval
- Lawrence, D. H.
- Literature, Neo-Latin
- Literature of the Bardic Revival
- Literature of the Irish Civil War
- Literature of the 'Thirties
- Lyly, John
- Mabinogion
- MacDiarmid, Hugh
- MacPherson, James
- Malory, Thomas
- Marlowe, Christopher
- Marvell, Andrew
- Mary Shelley's Frankenstein
- McEwan, Ian
- McGuckian, Medbh
- Medieval Lyrics
- Medieval Manuscripts
- Medieval Scottish Poetry
- Medieval Sermons
- Middleton, Thomas
- Milton, John
- Miéville, China
- Modernism
- Morality Plays
- Morris, William
- Muir, Edwin
- Muldoon, Paul
- Mysticism
- Ní Chuilleanáin, Eiléan
- Nonsense Literature
- Novel, Contemporary British
- Novel, The Contemporary Irish
- O’Casey, Sean
- O'Connor, Frank
- O’Faoláin, Seán
- Old English Literature
- Patronage
- Percy, Thomas
- Picaresque
- Piers Plowman
- Pope, Alexander
- Postmodernism
- Post-War Irish Drama
- Post-war Irish Writing
- Pre-Raphaelites
- Prosody and Meter: Early Modern to 19th Century
- Prosody and Meter: Twentieth Century
- Psychoanalysis
- Quincey, Thomas De
- Ralegh (Raleigh), Sir Walter
- Ramsay, Allan and Robert Fergusson
- Revenge Tragedy
- Richardson, Samuel
- Rise of the Novel in Britain, 1660–1780, The
- Robin Hood Literature
- Romance
- Romance, Medieval English
- Romanticism
- Ruskin, John
- Science Fiction
- Scott, Walter
- Shakespeare, William
- Shaw, George Bernard
- Shelley, Percy Bysshe
- Sidney, Mary, Countess of Pembroke
- Sinclair, Iain
- Sir Gawain and the Green Knight
- Smollett, Tobias
- Sonnet and Sonnet Sequence
- Spenser, Edmund
- Sterne, Laurence
- Swift, Jonathan
- Synge, John Millington
- Thomas, Dylan
- Thomas, R. S.
- Tóibín, Colm
- Travel Writing
- Trollope, Anthony
- Tudor Literature
- Urban Literature
- Utopian and Dystopian Literature to 1800
- Vampire Fiction
- Verse Satire from the Renaissance to the Romantic Period
- Webster, John
- Welsh, Irvine
- Welsh Poetry, Medieval
- Welsh Writing Before 1500
- Wilmot, John, Second Earl of Rochester
- Wollstonecraft, Mary
- Wollstonecraft Shelley, Mary
- Wordsworth, William
- Writing and Evolutionary Theory
- Wulfstan, Archbishop of York
- Wyatt, Thomas
- Yeats, W. B.