Mannerism
- LAST REVIEWED: 03 June 2015
- LAST MODIFIED: 26 April 2018
- DOI: 10.1093/obo/9780195399301-0125
- LAST REVIEWED: 03 June 2015
- LAST MODIFIED: 26 April 2018
- DOI: 10.1093/obo/9780195399301-0125
Introduction
Mannerism or maniera is a name given to a style and period in 16th-century Italian art, chronologically positioned between the High Renaissance and the Baroque periods. The term was first applied to painting, then later to sculpture and architecture. Mannerism remains the subject of much scholarly debate centering on questions of the precise date parameters for the style, its primary formal characteristics, its application, and meaning. Nevertheless, there is a general agreement that Mannerism presented a clear departure from High Renaissance classicism, formulated by a younger generation of artists who professionally matured in the wake of the death of Raphael in 1520. Although the Mannerists took the High Renaissance style as their point of departure, the Mannerist style was diametrically opposed to the rational, harmonious, and decorous ideals of High Renaissance classicism. Mannerism, while primarily an Italian phenomenon, spread throughout northern Europe partially as a result of the presence of Italian artists at the court of François I at Fontainebleau and the proliferation and dissemination of Mannerist engravings. In the north, Mannerism flourished particularly at aristocratic and princely courts, such as the court of the King of France, François I at Fontainebleau and the court of Emperor Rudolf II in Prague. The expansion of Mannerism as a phenomenon beyond Italy has also led to the questionable extension of its application to literature and music.
General Overviews
A reexamination of and renewed interest in Mannerism began in the 20th century with the advent of Expressionism. Scholars (initially German) saw a strong connection between the Expressionist and Mannerist style, particularly in the application of color to convey emotion, abstraction, fragmentation, and the intellectual approach to subjects. This parallelism validated looking at Mannerism anew, after many years of dismissal or omission in discussions of 16th-century Italian art and centuries of being subject to negative connotations.
Users without a subscription are not able to see the full content on this page. Please subscribe or login.
How to Subscribe
Oxford Bibliographies Online is available by subscription and perpetual access to institutions. For more information or to contact an Oxford Sales Representative click here.
Article
- Academies
- Aemilia Lanyer
- Alberti, Leon Battista
- Alexander VI, Pope
- Amsterdam
- Anne Boleyn
- Anne Bradstreet
- Antwerp
- Aretino, Pietro
- Ariosto, Ludovico
- Art and Science
- Art, German
- Art in Renaissance Florence
- Art in Renaissance Siena
- Art in Renaissance Venice
- Art Literature and Theory of Art
- Art Market
- Art of Poetry
- Art, Spanish
- Art, 16th- and 17th-Century Flemish
- Art, 17th-Century Dutch
- Artisans
- Ascham, Roger
- Askew, Anne
- Astell, Mary
- Astrology, Alchemy, Magic
- Augsburg
- Austria
- Avignon Papacy
- Bacon, Francis
- Banking and Money
- Barbaro, Ermolao, the Younger
- Barbaro, Francesco
- Baron, Hans
- Baroque
- Baroque Art and Architecture in Italy
- Barzizza, Gasparino
- Bathsua Makin
- Beaufort, Margaret
- Bellarmine, Cardinal
- Bembo, Pietro
- Benito Arias Montano
- Bernardino of Siena, San
- Beroaldo, Filippo, the Elder
- Bessarion, Cardinal
- Bible, The
- Biondo, Flavio
- Bishops, 1550–1700
- Bishops, 1400-1550
- Black Death and Plague: The Disease and Medical Thought
- Boccaccio, Giovanni
- Bohemia and Bohemian Crown Lands
- Borgia, Cesare
- Borgia, Lucrezia
- Borromeo, Cardinal Carlo
- Bosch, Hieronymous
- Bracciolini, Poggio
- Brahe, Tycho
- Bruegel, Pieter the Elder
- Bruni, Leonardo
- Bruno, Giordano
- Bucer, Martin
- Buonarroti, Michelangelo
- Burgundy and the Netherlands
- Calvin, John
- Calvinism
- Camões, Luís de
- Caravaggio
- Cardano, Girolamo
- Cardinal Richelieu
- Cardinals
- Carvajal y Mendoza, Luisa De
- Cary, Elizabeth
- Casas, Bartolome de las
- Castiglione, Baldassarre
- Catherine of Siena
- Catholic/Counter-Reformation
- Catholicism, Early Modern
- Cecilia del Nacimiento
- Cellini, Benvenuto
- Cervantes, Miguel de
- Charles V, Emperor
- China and Europe, 1550-1800
- Christian-Muslim Exchange
- Church Fathers in Renaissance and Reformation Thought, The
- Ciceronianism
- Cities and Urban Patriciates
- Civic Humanism
- Civic Ritual
- Classical Tradition, The
- Clifford, Anne
- Colet, John
- Colonna, Vittoria
- Columbus, Christopher
- Comenius, Jan Amos
- Confraternities
- Constantinople, Fall of
- Contarini, Gasparo, Cardinal
- Convent Culture
- Conversos and Crypto-Judaism
- Copernicus, Nicolaus
- Cornaro, Caterina
- Costume
- Council of Trent
- Crime and Punishment
- Croatia
- Cromwell, Oliver
- Cruz, Juana de la, Mother
- Cruz, Juana Inés de la, Sor
- Dance
- d'Aragona, Tullia
- Datini, Margherita
- Davies, Eleanor
- de Commynes, Philippe
- de Sales, Saint Francis
- de Valdés, Juan
- Death and Dying
- Decembrio, Pier Candido
- Dentière, Marie
- Des Roches, Madeleine and Catherine
- d’Este, Isabella
- di Toledo, Eleonora
- Dialogue
- Dolce, Ludovico
- Donatello
- Donne, John
- Drama, English Renaissance
- Dürer, Albrecht
- du Bellay, Joachim
- Du Guillet, Pernette
- Ebreo, Leone
- Edward IV, King of England
- El Greco
- Elizabeth I, the Great, Queen of England
- Emperor, Maximilian I
- England, 1485-1642
- English Puritans, Dissenters, Quakers, and Recusants
- Environment and the Natural World
- Epic and Romance
- Erasmus
- Europe and the Globe, 1350-1700
- Family and Childhood
- Fedele, Cassandra
- Federico Barocci
- Ferrara and the Este
- Ficino, Marsilio
- Filelfo, Francesco
- Florence
- Fonte, Moderata
- Foscari, Francesco
- France in the 17th Century
- France in the 16th Century
- Francis Xavier, St
- French Law and Justice
- French Renaissance Drama
- Fugger Family
- Galilei, Galileo
- Gallicanism
- Gambara, Veronica
- Garin, Eugenio
- General Church Councils, Pre-Trent
- Geneva (1400-1600)
- George Buchanan
- George of Trebizond
- Georges de La Tour
- Ghetto
- Giambologna
- Ginés de Sepúlveda, Juan
- Giustiniani, Bernardo
- Góngora, Luis de
- Gournay, Marie de
- Greek Visitors
- Guarino da Verona
- Guicciardini, Francesco
- Guilds and Manufacturing
- Hamburg, 1350–1815
- Hanseatic League
- Henry VII
- Henry VIII, King of England
- Herbert, George
- Hispanic Mysticism
- Historiography
- Hobbes, Thomas
- Homes, Foundling
- Huguenots
- Humanism
- Humanism, The Origins of
- Hundred Years War, The
- Hungary, The Kingdom of
- Hus, Jan
- Hutchinson, Lucy
- Iconology and Iconography
- Ignatius of Loyola, Saint
- Inquisition, Roman
- Isabel I, Queen of Castile
- Ivan IV the Terrible, Tsar of Russia
- Jansenism
- Japan and Europe: the Christian Century, 1549-1650
- Jeanne d’Albret, queen of Navarre
- Jesuits
- Jews
- Jews and Christians in Venice
- Jews in Florence
- Joan of Arc
- Jonson, Ben
- Julius II
- Kepler, Johannes
- King of France, Francis I
- King of France, Henri IV
- Knox, John
- Kristeller, Paul Oskar
- Labé, Louise
- Landino, Cristoforo
- Landscape
- Last Wills and Testaments
- Laura Cereta
- Law
- Lay Piety
- Leibniz, Gottfried Wilhelm
- Leo X
- Leonardo da Vinci
- Leoni, Leone and Pompeo
- Leto, Giulio Pomponio
- Letter Writing and Epistolary Culture
- Libraries
- Literary Criticism
- Literature, French
- Literature, Italian
- Literature, Late Medieval German
- Literature, Penitential
- Literature, Spanish
- Locke, John
- London
- Louis XIII, King of France
- Louis XIV, King of France
- Lucas Cranach the Elder
- Lucretius Renaissance Thought
- Luther, Martin
- Lyric Poetry
- Machiavelli, Niccolo
- Macinghi Strozzi, Alessandra
- Malatesta, Sigismondo
- Manetti, Giannozzo
- Mannerism
- Mantovano (Battista Spagnoli), Battista
- Manuel Chrysoloras
- Manuzio, Aldo
- Marinella, Lucrezia
- Marlowe, Christopher
- Marriage and Dowry
- Mary Stuart (Mary, Queen of Scots)
- Mary Tudor, Queen of England
- Masculinity
- Medici, Catherine de'
- Medici, Cosimo il Vecchio de'
- Medici Family, The
- Medici, Lorenzo de'
- Medicine
- Mediterranean
- Memling, Hans
- Merici, Angela
- Midwifery
- Milan, 1535–1706
- Milan to 1535
- Mirandola, Giovanni Pico della
- Mission
- Monarchy in Renaissance and Reformation Europe, Female
- Montaigne, Michel de
- More, Thomas
- Morone, Cardinal Giovanni
- Music
- Naples, 1300–1700
- Navarre, Marguerite de
- Netherlandish Art, Early
- Netherlands (Dutch Revolt/ Dutch Republic), The
- Netherlands, Spanish, 1598-1700, the
- Nettesheim, Agrippa von
- Niccoli, Niccolò
- Nicholas of Cusa
- Nicolas Malebranche
- Nobility
- Opera
- Ottoman Empire
- Panofsky, Erwin
- Papacy
- Papal Rome
- Paris
- Parr, Katherine
- Patronage of the Arts
- Perotti, Niccolò
- Persecution and Martyrdom
- Peter the Great, Tsar of Russia
- Petrarch
- Petrus Ramus and Ramism
- Philip Melanchthon
- Philips, Katherine
- Piccolomini, Aeneas Sylvius
- Piero della Francesca
- Plague and its Consequences
- Poetry, English
- Pole, Cardinal Reginald
- Polish Literature: Baroque
- Polish Literature: Renaissance
- Polish-Lithuanian Commonwealth, The
- Political Thought
- Poliziano, Angelo
- Pontano, Giovanni Giovano
- Pope Nicholas V
- Portraiture
- Portugal
- Poverty and Poor Relief
- Prince Henry the Navigator
- Printing and the Book
- Purgatory
- Purity of Blood
- Quirini, Lauro
- Rabelais, François
- Raphael
- Reformation and Hussite Revolution, Czech
- Reformation and Wars of Religion in France, The
- Reformation, English
- Reformation, German
- Reformation, Italian, The
- Reformation, The
- Reformations and Revolt in the Netherlands, 1500–1621
- Rembrandt
- Renaissance, The
- Reuchlin, Johann
- Revolutionary England, 1642-1702
- Rhetoric
- Ricci, Matteo
- Richard III
- Rienzo, Cola Di
- Roman and Iberian Inquisitions, Censorship and the Index i...
- Ronsard, Pierre de
- Roper, Margeret More
- Royal Regencies in Renaissance and Reformation Europe, 140...
- Rubens, Peter Paul
- Russell, Elizabeth Cooke Hoby
- Russia and Muscovy
- Ruzante Angelo Beolco
- Saint John of the Cross
- Saints and Mystics: After Trent
- Saints and Mystics: Before Trent
- Salutati, Coluccio
- Sarpi, Fra Paolo
- Savonarola, Girolamo
- Scandinavia
- Scholasticism and Aristotelianism: Fourteenth to Seventeen...
- Schooling and Literacy
- Scientific Revolution
- Scotland
- Scève, Maurice
- Sforza, Caterina
- Sforza, Francesco
- Shakespeare, William
- Sidney Herbert, Mary, Countess of Pembroke
- Sidney, Philip
- Simon of Trent
- Sixtus IV, Pope
- Skepticism
- Spain
- Spanish Inquisition
- Spanish Islam, 1350-1614
- Spenser, Edmund
- Spinoza, Baruch
- Stampa, Gaspara
- Stuart, Elizabeth, Queen of Bohemia
- Switzerland
- Tarabotti, Arcangela
- Tasso Torquato
- Tell, William
- Teresa of Avila
- Textiles: 1400 to 1700
- The Radical Reformation
- The Sack of Rome (1527)
- Thirty Years War, The
- Titian
- Toleration
- Tornabuoni, Lucrezia
- Trade Networks
- Tragedy, English
- Translation
- Transylvania, The Principality of
- Traversari, Ambrogio
- Universities
- Urbanism
- Ursulines
- Valeriano, Pierio
- Valla, Lorenzo
- van Eyck, Jan
- van Schurman, Anna Maria
- Vasari, Giorgio
- Vega, Lope de
- Vegio, Maffeo
- Velázquez
- Venice
- Venice, Maritime
- Vergerio, Pier Paolo, The Elder
- Vermeer, Johannes
- Vernacular Languages and Dialects
- Vida, Marco Girolamo
- Virgil in Renaissance Thought
- Visitors, Italian
- Vives, Juan Luis
- Walter Ralegh
- War and Economy, 1300-1600
- Ward, Mary
- Warfare and Military Organizations
- Weyden, Rogier van der
- Widowhood
- Witch Hunt
- Wolsey, Thomas, Cardinal
- Women and Learning
- Women and Medicine
- Women and Science
- Women and the Book Trade
- Women and the Reformation
- Women and the Visual Arts
- Women and Work: Fourteenth to Seventeenth Centuries
- Women Writers in Ireland
- Women Writers of the Iberian Empire
- Women Writing in Early Modern Spain
- Women Writing in English
- Women Writing in French
- Wroth, Mary